{"title":"艾米·舒默或《不协调","authors":"Noël Carroll","doi":"10.1093/oso/9780190683306.003.0016","DOIUrl":null,"url":null,"abstract":"The chapter examines the comedy of Amy Schumer on video and film from the perspectives of Freudian psychoanalysis and the incongruity theory of comic amusement and concludes that one feature of the latter theory that is superior to the former theory is that it accommodates what is feminist in Schumer’s oeuvre to a greater extent than does psychoanalysis.","PeriodicalId":43260,"journal":{"name":"Cinema-Journal of Philosophy and the Moving Image","volume":"4 1","pages":""},"PeriodicalIF":0.2000,"publicationDate":"2021-08-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Amy Schumer or the Incongruities\",\"authors\":\"Noël Carroll\",\"doi\":\"10.1093/oso/9780190683306.003.0016\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The chapter examines the comedy of Amy Schumer on video and film from the perspectives of Freudian psychoanalysis and the incongruity theory of comic amusement and concludes that one feature of the latter theory that is superior to the former theory is that it accommodates what is feminist in Schumer’s oeuvre to a greater extent than does psychoanalysis.\",\"PeriodicalId\":43260,\"journal\":{\"name\":\"Cinema-Journal of Philosophy and the Moving Image\",\"volume\":\"4 1\",\"pages\":\"\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2021-08-19\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Cinema-Journal of Philosophy and the Moving Image\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1093/oso/9780190683306.003.0016\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"FILM, RADIO, TELEVISION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Cinema-Journal of Philosophy and the Moving Image","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1093/oso/9780190683306.003.0016","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
The chapter examines the comedy of Amy Schumer on video and film from the perspectives of Freudian psychoanalysis and the incongruity theory of comic amusement and concludes that one feature of the latter theory that is superior to the former theory is that it accommodates what is feminist in Schumer’s oeuvre to a greater extent than does psychoanalysis.