赫西奥德神制中的死亡之病:普罗米修斯、赫拉克勒斯和克勒斯的发明

IF 0.2 4区 历史学 0 CLASSICS
Melissa Mueller
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引用次数: 3

摘要

赫西奥德的《神权论》并没有明显地关注凡人世界。然而,人类在神权论中的地位仍然具有一定的魅力,也许更多的是因为没有揭示的东西——比如我们的起源——而不是揭示的东西。聚焦于诗中一个相对被忽视的段落(Theogony 521-32),我想在这里追溯赫西奥德如何布置kleos(“名声”或“荣耀”)的宇宙坐标,以便更好地将死亡的状况置于整首诗中。正如我们将看到的,克勒斯是宙斯和普罗米修斯斗智斗智对人类的影响的一部分:它是对人类新的、暂时被扭曲的存在的补偿。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
THE DISEASE OF MORTALITY IN HESIOD'S THEOGONY: PROMETHEUS, HERAKLES, AND THE INVENTION OF KLEOS
Hesiod's Theogony is not overtly concerned with the world of mortals. The place of humans in the Theogony nevertheless holds a certain fascination, perhaps more for what is not revealed—our origins, for example—than for what is. Focusing on a relatively neglected passage of the poem (Theogony 521-32), I want to trace here the way Hesiod lays out the cosmic coordinates of kleos (‘fame’ or ‘glory’) with a view to better situating the condition of mortality within the poem as a whole. Kleos, as we will see, is part of the fallout for humans of the battle of wits between Zeus and Prometheus: it is the compensation for their new, temporally inflected existence.
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CiteScore
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