{"title":"艺术商品化，中国风格:中国视觉艺术市场的形成","authors":"Jun Zhang","doi":"10.1177/0308518X17713993","DOIUrl":null,"url":null,"abstract":"The economic value of art to cities and regions has recently been vigorously pursued and actively studied. The rapid ascendance of China as a superpower in the global art market and associated transformation of China’s art space, however, are yet poorly understood. This paper develops a Polanyian framework to interpret the spatial and institutional evolution of China’s art market, seeing the (de)commodification of art as a cumulative process embedded in geo-historical interplays of triple logics—cultural, capital, and political, unfolding within, and reshaping in turn, historically inherited spatial structures.","PeriodicalId":11906,"journal":{"name":"Environment and Planning A","volume":"85 1","pages":"2025 - 2045"},"PeriodicalIF":0.0000,"publicationDate":"2017-06-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"6","resultStr":"{\"title\":\"Commodifying art, Chinese style: The making of China’s visual art market\",\"authors\":\"Jun Zhang\",\"doi\":\"10.1177/0308518X17713993\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The economic value of art to cities and regions has recently been vigorously pursued and actively studied. The rapid ascendance of China as a superpower in the global art market and associated transformation of China’s art space, however, are yet poorly understood. This paper develops a Polanyian framework to interpret the spatial and institutional evolution of China’s art market, seeing the (de)commodification of art as a cumulative process embedded in geo-historical interplays of triple logics—cultural, capital, and political, unfolding within, and reshaping in turn, historically inherited spatial structures.\",\"PeriodicalId\":11906,\"journal\":{\"name\":\"Environment and Planning A\",\"volume\":\"85 1\",\"pages\":\"2025 - 2045\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2017-06-12\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"6\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Environment and Planning A\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1177/0308518X17713993\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Environment and Planning A","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1177/0308518X17713993","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Commodifying art, Chinese style: The making of China’s visual art market
The economic value of art to cities and regions has recently been vigorously pursued and actively studied. The rapid ascendance of China as a superpower in the global art market and associated transformation of China’s art space, however, are yet poorly understood. This paper develops a Polanyian framework to interpret the spatial and institutional evolution of China’s art market, seeing the (de)commodification of art as a cumulative process embedded in geo-historical interplays of triple logics—cultural, capital, and political, unfolding within, and reshaping in turn, historically inherited spatial structures.
求助内容：
应助结果提醒方式：
京公网安备 11010802042870号
