{"title":"视觉发明的神经美学:圣地亚哥的绘画Ramón y Cajal在美丽的大脑","authors":"M. Poole","doi":"10.1080/15551393.2022.2059761","DOIUrl":null,"url":null,"abstract":"Scholars study how the visual and the verbal intersect in scientific texts that incorporate images, but rarely are artistic renderings considered central to scientific epistemologies. This article turns to neuroaesthetics to understand the productive role of art in scientific visual invention. As shown through the drawings of neuroscientist Santiago Ramón y Cajal, the neuroaesthetics of visual invention explain how art may offer scientists the epistemological resources needed to see around hegemonic paradigms in their disciplines.","PeriodicalId":43914,"journal":{"name":"Visual Communication Quarterly","volume":"40 1","pages":"75 - 86"},"PeriodicalIF":0.4000,"publicationDate":"2022-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Neuroaesthetics of Visual Invention: The Drawings of Santiago Ramón y Cajal in The Beautiful Brain\",\"authors\":\"M. Poole\",\"doi\":\"10.1080/15551393.2022.2059761\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Scholars study how the visual and the verbal intersect in scientific texts that incorporate images, but rarely are artistic renderings considered central to scientific epistemologies. This article turns to neuroaesthetics to understand the productive role of art in scientific visual invention. As shown through the drawings of neuroscientist Santiago Ramón y Cajal, the neuroaesthetics of visual invention explain how art may offer scientists the epistemological resources needed to see around hegemonic paradigms in their disciplines.\",\"PeriodicalId\":43914,\"journal\":{\"name\":\"Visual Communication Quarterly\",\"volume\":\"40 1\",\"pages\":\"75 - 86\"},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2022-04-03\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Visual Communication Quarterly\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/15551393.2022.2059761\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q4\",\"JCRName\":\"COMMUNICATION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Visual Communication Quarterly","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/15551393.2022.2059761","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"COMMUNICATION","Score":null,"Total":0}
引用次数: 0
摘要
学者们研究视觉和语言如何在包含图像的科学文本中相交，但很少将艺术渲染视为科学认识论的核心。本文转向神经美学来理解艺术在科学视觉发明中的生产作用。正如神经科学家Santiago Ramón y Cajal的图画所示，视觉发明的神经美学解释了艺术如何为科学家提供在其学科中看到霸权范式所需的认识论资源。
Neuroaesthetics of Visual Invention: The Drawings of Santiago Ramón y Cajal in The Beautiful Brain
Scholars study how the visual and the verbal intersect in scientific texts that incorporate images, but rarely are artistic renderings considered central to scientific epistemologies. This article turns to neuroaesthetics to understand the productive role of art in scientific visual invention. As shown through the drawings of neuroscientist Santiago Ramón y Cajal, the neuroaesthetics of visual invention explain how art may offer scientists the epistemological resources needed to see around hegemonic paradigms in their disciplines.
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