纳瓦尔·埃尔·萨达维的《尼罗河之死》中权力话语及其抵抗的追问

Charity Azumi Issaka, Cofidence Gbolo Sanka, Elvis Resque
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引用次数: 0

摘要

本文运用福柯的话语、权力和知识理论来突出塑造《上帝死于尼罗河》中埃及女性的权力。本文还运用女性主义理论来识别埃及女性在叙事中反抗权力话语的方式。因此,本文的重点是小说中的权力动力学。因此,本文讨论的问题包括:家庭、社会和宗教话语是如何在小说中产生的;父权制如何塑造叙事中的权力话语,以及女性在小说中抵抗和发挥权力的微妙手段。本文运用主题分析方法,以小说为主要素材,对男权话语和权力政治进行了探讨。考察一些话语及其对女性身体的影响,有助于理解小说中父权制对女性的影响。研究的结论是,话语本身并不能解释小说中的权力动态。沉默、反叛、女性纽带,以及通过沉默而公开地反抗父权制而在男性身上产生的偏执,这些都是女性在小说中发挥的一些权力动力。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
INTERROGATING THE DISCOURSE OF POWER AND ITS RESISTANCE IN NAWAL EL SADAAWI’S GOD DIES BY THE NILE
This paper employs Foucault’s theory on Discourse, Power, and Knowledge to highlight the powers shaping the Egyptian woman in God Dies by the Nile. The paper also uses the feminist theory in identifying the ways that the Egyptian woman uses to resist the discourse of power in the narrative. The paper, therefore, focuses on the power dynamics in the novel. Thus questions addressed in this paper include: how the discourses of family, society, and religion are generated in the novel; how patriarchy shapes the discourse of power in the narrative, and the subtle means used by women to resist and play out power in the novel. Using a thematic approach, textual analysis, and the novel as a primary source, the paper discusses patriarchal discourse and power politics. Examining a selection of discourses and how they affect the body of the female help in appreciating the effect of patriarchy on women in the novel. The study concludes that discourse alone does not explain the power dynamics in the novel. Silence, rebellion, female bonding, and the creation of paranoia in the men through silent but open resistance to patriarchy are some of the power dynamics played out in the novel by the female gender.  
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