{"title":"重构纽约学派:公共通道诗歌与诗歌小圈子的筛选","authors":"Ben Olin","doi":"10.13110/FRAMEWORK.59.1.0047","DOIUrl":null,"url":null,"abstract":"In a snapshot taken in 1971, the New York School poets Ted Berrigan and John Ashbery pose on the sidewalk in front of the St. Regis Hotel; Berrigan—who stands slightly closer to the camera—raises his palm toward the lens, playfully blotting out half of Ashbery’s face. As the critic Reva Wolf has noted, the staginess of the shot and the poets’ amused expressions, implies a deliberate visual reference to Berrigan’s textual appropriations of Ashbery’s work:","PeriodicalId":43199,"journal":{"name":"Framework-The Journal of Cinema and Media","volume":"57 1","pages":"47 - 85"},"PeriodicalIF":0.3000,"publicationDate":"2018-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Reframing the New York School: Public Access Poetry and the Screening of Poetic Coterie\",\"authors\":\"Ben Olin\",\"doi\":\"10.13110/FRAMEWORK.59.1.0047\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In a snapshot taken in 1971, the New York School poets Ted Berrigan and John Ashbery pose on the sidewalk in front of the St. Regis Hotel; Berrigan—who stands slightly closer to the camera—raises his palm toward the lens, playfully blotting out half of Ashbery’s face. As the critic Reva Wolf has noted, the staginess of the shot and the poets’ amused expressions, implies a deliberate visual reference to Berrigan’s textual appropriations of Ashbery’s work:\",\"PeriodicalId\":43199,\"journal\":{\"name\":\"Framework-The Journal of Cinema and Media\",\"volume\":\"57 1\",\"pages\":\"47 - 85\"},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2018-04-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Framework-The Journal of Cinema and Media\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.13110/FRAMEWORK.59.1.0047\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"FILM, RADIO, TELEVISION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Framework-The Journal of Cinema and Media","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.13110/FRAMEWORK.59.1.0047","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
引用次数: 0
摘要
这张照片拍摄于1971年，纽约学派诗人泰德·贝里根(Ted Berrigan)和约翰·阿什伯里(John Ashbery)在瑞吉酒店(St. Regis Hotel)前的人行道上摆姿势;贝里根站得离摄像机更近一些，他向镜头举起手掌，开玩笑地遮住了阿什贝里的半边脸。正如评论家雷瓦·沃尔夫(Reva Wolf)所指出的，镜头的停滞和诗人的搞笑表情，暗示着贝里根对阿什伯里作品的文本挪用是一种故意的视觉参照:
Reframing the New York School: Public Access Poetry and the Screening of Poetic Coterie
In a snapshot taken in 1971, the New York School poets Ted Berrigan and John Ashbery pose on the sidewalk in front of the St. Regis Hotel; Berrigan—who stands slightly closer to the camera—raises his palm toward the lens, playfully blotting out half of Ashbery’s face. As the critic Reva Wolf has noted, the staginess of the shot and the poets’ amused expressions, implies a deliberate visual reference to Berrigan’s textual appropriations of Ashbery’s work:
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