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引用次数: 0
摘要
威廉·桑普森的《奥维德史诗》，《洛夫的变形记》，或《阿波罗与达芙妮》，写于1645年以后，仅存手稿(Harley MS 6947, no。41岁的符合。318-36，大英图书馆)，几乎没有得到学术界的关注。这是仿照莎士比亚的《维纳斯与阿多尼斯》的古语。这首诗是献给玛格丽特·卡文迪什的，也许是在她1651年从欧洲大陆流放归来的时候。这篇文章探讨了桑普森为什么选择这种体裁，他与卡文迪什家族的关系是什么，他如何期望这首诗在内战和空白时期的背景下被接受，以及对卡文迪什的奉献告诉我们关于女性读者的什么。
The Last Early Modern Epyllion: William Sampson’s Love’s Metamorphosis, Or: Apollo and Daphne
abstract:William Sampson’s Ovidian epyllion Love’s Metamorphosis, Or: Apollo and Daphne, written after 1645, has remained in manuscript only (Harley MS 6947, no. 41, fols. 318–36, British Library) and has received virtually no scholarly attention. It is a willful archaism modeled on Shakespeare’s Venus and Adonis. The poem was dedicated to Margaret Cavendish, perhaps on the occasion of her return from her exile on the Continent in 1651. This essay considers why Sampson chose this genre, what his relationship with the Cavendishes was, how he expected the poem to be received in the context of the Civil War and Interregnum, and what the dedication to Cavendish tells us about female readership.
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