叙述和绘制俄罗斯:从未知之地到通往中国的道路上的一个地图空间

IF 0.1 3区 文学 0 LITERARY THEORY & CRITICISM
G. Prokhorov, Sergey Saveliev
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引用次数: 0

摘要

在16世纪,俄罗斯的大部分地区仍然是一个不为人知的领域,地理、人类学和社会学都非常可疑,而且大多是神话化的。在本文中,我们看一些现代早期的文本——托马斯·史密斯爵士在Rushia Voiage和娱乐(1605),1640 - 1641年彼得·曼迪的旅游作品,约翰和Voiages旅行Struys(1676 - 1683),试图揭示的默默无闻的国家转变成一个或多或少地绘制空间,充满了冒险和旅行的故事神秘土地的边缘欧洲,在外来文化被华丽地混合在一起了。实际上,是旅行叙事描绘了这片土地,并提供了一种解释,由此产生了对“不可预知之地”的部分物理和文化理解。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Narrating and mapping Russia: From Terra Incognita to a charted space on the road to Cathay
Abstract In the 16th century most of Russia is still a terra incognita with a highly dubious and mostly mythologized geography, anthropology, and sociology. In this article we look at some texts of the Early Modern period – Sir Thomas Smithes Voiage and Entertainment in Rushia (1605), Peter Mundy’s Travel Writings of 1640–1641, and The Voiages and Travels of John Struys (1676–1683) – and try to uncover the transformation of the obscure country into a more or less charted space, filled with narratives of adventures and travels in an enigmatic land on the verge of Europe, where exotic cultures are drawn together in a flamboyant mix. It is travel narrative that actually charts the territory and provides an explanation from which stems a partial understanding, physical and cultural, of the “Land of the Unpredictable.”
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