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引用次数: 0
摘要
本文认为,当今黑人女权主义者对白人女性的愤怒掩盖了黑人女权主义者对黑人父权制的命名和诊断的长期和持续的斗争。为了将人们的注意力转移到黑人社会生活中的性/性别内部斗争上,本文阅读了20世纪70年代至80年代Combahee River Collective、Ntozake Shange、Audre Lorde和bell hooks的精选文本。这样做说明了黑人女权主义写作的悠久传统,充满了愤怒——不是针对白人女性,而是针对黑人男性,并表达了根除父权制的目标。记住这些黑人女权主义者的分析和积极分子挑战黑人女性性压迫的努力,将黑人女权主义重新定义为一个单一的项目,它呼吁白人女性的种族主义成为一个更广泛的解放,需要对抗男性权力,特别是黑人男性对黑人女性的暴力。
Lest We Forget Black Patriarchy; or, Why I'm Over Calling Out White Women
This article contends that present-day focus of Black feminist anger at white women obscures the old and ongoing Black feminist struggle to name and diagnose Black patriarchy. In effort to redirect attention to the sexual/gendered intramural struggles within Black social life, this article reads selected texts by the Combahee River Collective, Ntozake Shange, Audre Lorde, and bell hooks from the 1970s–1980s. Doing so illustrates the long tradition of Black feminist writing filled with rage –not at white women—but at Black men and with the expressed objective to eradicate patriarchy. Remembering these Black feminist analytic and activist efforts to challenge black women's sexual oppression reframes Black feminism as a singular project that calls out white women's racism to a broader liberatory one requiring confrontation with male power writ large and, in particular, Black male violence against Black women.
期刊介绍:
Individual subscribers and institutions with electronic access can view issues of the South Atlantic Quarterly online. If you have not signed up, review the first-time access instructions. Founded amid controversy in 1901, the South Atlantic Quarterly continues to cover the beat, center and fringe, with bold analyses of the current scene—national, cultural, intellectual—worldwide. Now published exclusively in special issues, this vanguard centenarian journal is tackling embattled states, evaluating postmodernity"s influential writers and intellectuals, and examining a wide range of cultural phenomena.