米卡洛尤斯·康斯坦丁纳斯Čiurlionis和Vydūnas创造世界的艺术计划中的海洋形象

Q3 Arts and Humanities
Colloquia Pub Date : 2021-12-30 DOI:10.51554/coll.21.46.04
Aušra Martišiūtė-Linartienė
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引用次数: 0

摘要

这篇文章阐述了作曲家和画家米卡洛约斯·康斯坦季纳斯Čiurlionis(1875-1911)与剧作家和哲学家Vydūnas (Vilhelmas Storostas, 1868-1953)之间的创造性联系,这些联系被他们的同时代人和后来的学者以一种非常普遍的方式观察和描述。文章讨论了Čiurlionis和Vydūnas的创作计划的以下要素:作为视觉的艺术作品,作为创造自己世界的创作行为,抽象与具体相结合的原则,以及在上升方向上表达的世界观的积极性。大海的形象成为作品的主要对象,表达了创作世界。在关于Jūratė和Kastytis的传说的解释中,人与女神之间的爱的意义从人类的谦卑和相互的爱的感觉转变为Čiurlionis和Vydūnas所揭示的共同创造的意义,描绘了神对女神和人的爱的反应——从惩罚到祝福(Vydūnas的Jūraitė)。对这个传说的解释各不相同,从“被绑”的普罗米修斯——卡斯蒂提斯被绑在一块岩石上的形象——到被解放的普罗米修斯的意义(看看Čiurlionis的作品的主体,画“雷克斯”,Vydūnas的Jūrų varpai和Jūraitė的结局断言人类创造者的解放)。两位艺术家都肯定了个人内在力量的增强。它们巩固了人类创造力无与伦比的价值。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Image of the Sea in Mikalojus Konstantinas Čiurlionis’s and Vydūnas’s Artistic Program of the Creation of the World
The article illustrates the creative connections between the composer and painter Mikalojus Konstantinas Čiurlionis (1875-1911) and the playwright and philosopher Vydūnas (Vilhelmas Storostas, 1868-1953) observed and described by their contemporaries and later, by scholars in a very general way. The article discusses the following elements of Čiurlionis’s and Vydūnas’s creative program: a work of art as a vision, the creative act as the creation of one’s own world, the principle of combining abstract and specific, and the positivity of worldview expressed in the direction of ascent. The image of the sea, which has become the main object of the work, expresses the creative world. In the interpretations of the legend about Jūratė and Kastytis, the significance of love between the human and the goddess alters from human humility and mutual feeling of love to the meanings of co-creation revealed by Čiurlionis and Vydūnas, depicting the reaction of the gods to the love of the goddess and man—from the punishment to blessing (Vydūnas’s Jūraitė). Interpretations of the legend vary from the “bound” Prometheus—the image of Kastytis bound to a rock to the meanings of the liberated Prometheus (looking at the corpus of Čiurlionis’s works, the painting “Rex,” the finale of Vydūnas’s Jūrų varpai and Jūraitė assert the liberation of the human-creator). Both artists affirm the strengthening of the inner powers of the individual. They consolidate the unmatched value of the power of human creativity.
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来源期刊
Colloquia
Colloquia Arts and Humanities-Literature and Literary Theory
CiteScore
0.20
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