{"title":"论诗歌的节奏","authors":"A. Baeva","doi":"10.35120/kij5405817b","DOIUrl":null,"url":null,"abstract":"The subject of the article is the rhythm in the verse. The theory of alternation and its suitability forpractical use is examined. A rhythm based on rhythmic strokes (ictuses) and their sequential occurrence in time ispreferred. The issue of interictus, which are important in forming the poetic rhythm, is also touched upon.","PeriodicalId":17821,"journal":{"name":"Knowledge International Journal","volume":"35 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2022-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"ON RHYTHM IN POETRY\",\"authors\":\"A. Baeva\",\"doi\":\"10.35120/kij5405817b\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The subject of the article is the rhythm in the verse. The theory of alternation and its suitability forpractical use is examined. A rhythm based on rhythmic strokes (ictuses) and their sequential occurrence in time ispreferred. The issue of interictus, which are important in forming the poetic rhythm, is also touched upon.\",\"PeriodicalId\":17821,\"journal\":{\"name\":\"Knowledge International Journal\",\"volume\":\"35 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-09-30\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Knowledge International Journal\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.35120/kij5405817b\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Knowledge International Journal","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.35120/kij5405817b","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
The subject of the article is the rhythm in the verse. The theory of alternation and its suitability forpractical use is examined. A rhythm based on rhythmic strokes (ictuses) and their sequential occurrence in time ispreferred. The issue of interictus, which are important in forming the poetic rhythm, is also touched upon.