{"title":"变形和多变的表演者","authors":"Sara Gross Ceballos","doi":"10.1080/01411896.2021.1949309","DOIUrl":null,"url":null,"abstract":"The god also merited extensive commentaries in period translations and appearances in works for the opera and fair theaters, collections of poetry, scientific and medical treatises, and of course Furetière’s Dictionnaire. Across this discourse, authors generated diverse interpretive readings, from metaphysical allegories originating in ancient, medieval, and renaissance interpretations, to modern enlightened euhemerist analyses in which Ovid’s myths are perceived to refer to historical persons and events. While François Couperin does not appear to have owned a copy of any one of the texts from this “grand siècle of French translations of Ovid,” the social dissimulators that appear within his pièces de clavecin certainly resemble Furetière’s Protean master of disguise. Moreover, “two small","PeriodicalId":42616,"journal":{"name":"JOURNAL OF MUSICOLOGICAL RESEARCH","volume":null,"pages":null},"PeriodicalIF":0.4000,"publicationDate":"2021-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Metamorphosis and the Protean Performer\",\"authors\":\"Sara Gross Ceballos\",\"doi\":\"10.1080/01411896.2021.1949309\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The god also merited extensive commentaries in period translations and appearances in works for the opera and fair theaters, collections of poetry, scientific and medical treatises, and of course Furetière’s Dictionnaire. Across this discourse, authors generated diverse interpretive readings, from metaphysical allegories originating in ancient, medieval, and renaissance interpretations, to modern enlightened euhemerist analyses in which Ovid’s myths are perceived to refer to historical persons and events. While François Couperin does not appear to have owned a copy of any one of the texts from this “grand siècle of French translations of Ovid,” the social dissimulators that appear within his pièces de clavecin certainly resemble Furetière’s Protean master of disguise. Moreover, “two small\",\"PeriodicalId\":42616,\"journal\":{\"name\":\"JOURNAL OF MUSICOLOGICAL RESEARCH\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2021-07-03\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"JOURNAL OF MUSICOLOGICAL RESEARCH\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/01411896.2021.1949309\",\"RegionNum\":2,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"MUSIC\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"JOURNAL OF MUSICOLOGICAL RESEARCH","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/01411896.2021.1949309","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
The god also merited extensive commentaries in period translations and appearances in works for the opera and fair theaters, collections of poetry, scientific and medical treatises, and of course Furetière’s Dictionnaire. Across this discourse, authors generated diverse interpretive readings, from metaphysical allegories originating in ancient, medieval, and renaissance interpretations, to modern enlightened euhemerist analyses in which Ovid’s myths are perceived to refer to historical persons and events. While François Couperin does not appear to have owned a copy of any one of the texts from this “grand siècle of French translations of Ovid,” the social dissimulators that appear within his pièces de clavecin certainly resemble Furetière’s Protean master of disguise. Moreover, “two small
期刊介绍:
The Journal of Musicological Research publishes original articles on all aspects of the discipline of music: historical musicology, style and repertory studies, music theory, ethnomusicology, music education, organology, and interdisciplinary studies. Because contemporary music scholarship addresses critical and analytical issues from a multiplicity of viewpoints, the Journal of Musicological Research seeks to present studies from all perspectives, using the full spectrum of methodologies. This variety makes the Journal a place where scholarly approaches can coexist, in all their harmony and occasional discord, and one that is not allied with any particular school or viewpoint.