挽歌之死:奥维德的塞弗勒斯和普罗克里斯

IF 0.7 1区历史学 0 CLASSICS

Transactions of the American Philological Association Pub Date : 2011-12-03 DOI:10.1353/APA.2011.0008

J. Hejduk

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引用次数: 3

摘要

本文考察了奥维德是如何操纵爱情、艺术和疾病/伤害/医学这三首挽歌的。特别是，它认为，在《阿玛托里亚》和《变形记》中，关于塞弗勒斯和普罗克里斯的故事，关于塞弗勒斯和普罗克里斯的故事，以及关于塞弗勒斯和普罗克里斯的故事，都体现了悲歌的陈词滥调，展示了艺术般的爱——既致命又救赎。这些主题与阿波罗的事务和诗人自己的叙事性自传相似。

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Death by Elegy: Ovid's Cephalus and Procris

summary:

This paper examines how Ovid manipulates the elegiac trio of love, art, and disease/wounding/medicine. In particular, it argues that the stories told by, to, and about Cephalus and Procris in the Ars Amatoria and Metamorphoses reify the clichés of elegy, showing art—like love—to be both deadly and salvific. These themes parallel the affairs of Apollo and the poet's own narrative autobiography.

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来源期刊

Transactions of the American Philological Association CLASSICS-

CiteScore

1.30

自引率

0.00%

发文量

期刊介绍： Transactions of the APA (TAPA) is the official research publication of the American Philological Association. TAPA reflects the wide range and high quality of research currently undertaken by classicists. Highlights of every issue include: The Presidential Address from the previous year"s conference and Paragraphoi a reflection on the material and response to issues raised in the issue.