{"title":"汤格伦的卢特加德和锡耶纳的凯瑟琳与被钉十字架的基督亲密关系的表现中的痛苦是创新图像的推动力","authors":"P. Sanvito","doi":"10.1484/J.IKON.4.2019015","DOIUrl":null,"url":null,"abstract":"Pain was also in the late Middles Ages a vehicle of transcendental experience and of mystical enactment in particular. It appears to have been a current topic in the figurative and imaginative worl...","PeriodicalId":35167,"journal":{"name":"IKON-Journal of Iconographic Studies","volume":"12 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Pain in Representations of Intimacy with the Crucified Christ in Lutgard of Tongeren and Catherine of Siena as Impulse to Innovative Iconographies\",\"authors\":\"P. Sanvito\",\"doi\":\"10.1484/J.IKON.4.2019015\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Pain was also in the late Middles Ages a vehicle of transcendental experience and of mystical enactment in particular. It appears to have been a current topic in the figurative and imaginative worl...\",\"PeriodicalId\":35167,\"journal\":{\"name\":\"IKON-Journal of Iconographic Studies\",\"volume\":\"12 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"IKON-Journal of Iconographic Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1484/J.IKON.4.2019015\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q4\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"IKON-Journal of Iconographic Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1484/J.IKON.4.2019015","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"Arts and Humanities","Score":null,"Total":0}
Pain in Representations of Intimacy with the Crucified Christ in Lutgard of Tongeren and Catherine of Siena as Impulse to Innovative Iconographies
Pain was also in the late Middles Ages a vehicle of transcendental experience and of mystical enactment in particular. It appears to have been a current topic in the figurative and imaginative worl...