狂躁的悲剧受害者(“酒疯”):19世纪文学女性酒鬼研究

IF 0.2 0 LITERARY THEORY & CRITICISM
Irina Rabinovich
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引用次数: 0

摘要

禁酒文学虽然在1830年至1880年间在美国和英国广泛流行,但在随后的几十年里失去了吸引力。尽管禁酒小说具有说教和道德的性质,但公众还是热切地消费它,从而回报了同时期作家促进社会理想和改善社会弊病的努力。本文旨在通过对19世纪中期美国女作家的两部中篇小说和一部自白中篇小说的研究,纠正女性节制散文在文学批评中所遭受的忽视。这些作品就像一面棱镜,作者通过它呈现了上流社会女性酗酒等普遍被“禁忌”的痛苦,以及社会在使这些行为永久化方面所扮演的角色。这篇文章考察了这些表述背后的冲突力量,并对19世纪中期美国限制和敌对的社会气候以及对酗酒者缺乏医疗照顾的可能原因进行了调查,这些可能导致女性做出包括醉酒在内的危险行为。本文还展示了19世纪女性作家在处理普遍存在的社会弊病时必须采取的谨慎态度,例如针对女酒鬼的偏执、虚伪和蔑视。它展示了这些经常被评论家和编辑嘲笑或贬低的作家,如何在公开批评社会习俗和不受审查这两股相互竞争的力量之间小心翼翼地进行操纵。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Tragic Victims of Mania a Potu (“Madness from Drink”): A Study of Literary Nineteenth-Century Female Drunkards
Temperance literature, though widely popular in America and Britain between 1830–80, lost its allure in the decades that followed. In spite of its didactic and moralistic nature, the public eagerly consumed temperance novels, thus reciprocating contemporaneous writers’ efforts to promote social ideals and mend social ills. The main aim of this paper is to redress the critical neglect that the temperance prose written by women about women has endured by looking at three literary works—two novellas and one confessional novelette—written by mid-nineteenth-century American female writers. These works serve as a prism through which the authors present generally “tabooed” afflictions such as inebriation among high-class women and society’s role in perpetuating such behaviors. The essay examines the conflicting forces underlying such representations and offers an inquiry into the restrictive and hostile social climate in mid-nineteenth-century America and the lack of medical attention given to alcohol addicts as the possible causes that might have prompted women’s dangerous behaviors, including inebriation. This paper also demonstrates the cautious approach that nineteenth-century female writers had to take when dealing with prevalent social ills, such as bigotry, hypocrisy and disdain directed at female drunkards. It shows how these writers, often sneered at or belittled by critics and editors, had to maneuver very carefully between the contending forces of openly critiquing social mores, on the one hand, and not being censored, on the other.
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来源期刊
CiteScore
0.60
自引率
0.00%
发文量
0
审稿时长
23 weeks
期刊介绍: Text Matters: A Journal of Literature, Theory and Culture, based at the University of Łódź, is an international and interdisciplinary journal, which seeks to engage in contemporary debates in the humanities by inviting contributions from literary and cultural studies intersecting with literary theory, gender studies, history, philosophy, and religion. The journal focuses on textual realities, but contributions related to art, music, film and media studies addressing the text are also invited. Submissions in English should relate to the key issues delineated in calls for articles which will be placed on the website in advance. The journal also features reviews of recently published books, and interviews with writers and scholars eminent in the areas addressed in Text Matters. Responses to the articles are more than welcome so as to make the journal a forum of lively academic debate. Though Text Matters derives its identity from a particular region, central Poland in its geographic position between western and eastern Europe, its intercontinental advisory board of associate editors and internationally renowned scholars makes it possible to connect diverse interpretative perspectives stemming from culturally specific locations. Text Matters: A Journal of Literature, Theory and Culture is prepared by academics from the Institute of English Studies with considerable assistance from the Institute of Polish Studies and German Philology at the University of Łódź. The journal is printed by Łódź University Press with financial support from the Head of the Institute of English Studies. It is distributed electronically by Sciendo. Its digital version published by Sciendo is the version of record. Contributions to Text Matters are peer reviewed (double-blind review).
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