{"title":"拉丁美洲政治艺术中颠覆性的观点","authors":"F. Contreras, María del Mar Ramírez Alvarado","doi":"10.4067/s0718-04622019000200045","DOIUrl":null,"url":null,"abstract":"espanolRESUMEN Este articulo plantea la conjetura de un lugar comun en las miradas subversivas del arte politico en territorios de Latinoamerica afectados por el conflicto social. Esta vision propia del arte contemporaneo latinoamericano se construye a partir de la correspondencia entre el arte, la politica y las relaciones sociales de poder. El resultado es una propuesta abierta orientada a la concepcion de una estetica de la subversion, que el texto discute a partir de la creacion artistica producida alrededor de la denuncia social y el compromiso politico. No es un estudio diacronico de la historia del arte, sino una reflexion teorica sobre el arte que encuentra su inspiracion en las convulsiones politicas de las opresiones sufridas en Latinoamerica. En conclusion, el texto aporta, desde la perspectiva interdisciplinar de los estudios culturales, la fundacion de una cultura visual basada en la estetizacion de la insubordinacion, la movilizacion politica desde el arte y la visualizacion artistica del conflicto humano. EnglishABSTRACT This article proposes that a common thread unites the subversive gaze of political art in Latin-American territories affected by social conflict. This vision of contemporary Latin-American art is based on the correspondence between art, politics and social relations of power. This study offers an open proposal oriented toward an aesthetics of subversion, which is based on a discussion of artistic creation emerging from social denunciation and political commitment. Rather than a diachronic study of art history, this project aims at a theoretical reflection on art that finds its inspiration in the political convulsions arising from the oppression suffered in Latin America. In conclusion, this study provides, from the interdisciplinary perspective of cultural studies, a foundation for a visual culture based on the aestheticization of insubordination, artistically inspired political mobilization, and the artistic visualization of human conflict.","PeriodicalId":43674,"journal":{"name":"Atenea","volume":"43 1","pages":"45-61"},"PeriodicalIF":0.2000,"publicationDate":"2019-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"UNA APROXIMACIÓN A LAS MIRADAS SUBVERSIVAS EN EL ARTE POLÍTICO DE LATINOAMÉRICA\",\"authors\":\"F. Contreras, María del Mar Ramírez Alvarado\",\"doi\":\"10.4067/s0718-04622019000200045\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"espanolRESUMEN Este articulo plantea la conjetura de un lugar comun en las miradas subversivas del arte politico en territorios de Latinoamerica afectados por el conflicto social. Esta vision propia del arte contemporaneo latinoamericano se construye a partir de la correspondencia entre el arte, la politica y las relaciones sociales de poder. El resultado es una propuesta abierta orientada a la concepcion de una estetica de la subversion, que el texto discute a partir de la creacion artistica producida alrededor de la denuncia social y el compromiso politico. No es un estudio diacronico de la historia del arte, sino una reflexion teorica sobre el arte que encuentra su inspiracion en las convulsiones politicas de las opresiones sufridas en Latinoamerica. En conclusion, el texto aporta, desde la perspectiva interdisciplinar de los estudios culturales, la fundacion de una cultura visual basada en la estetizacion de la insubordinacion, la movilizacion politica desde el arte y la visualizacion artistica del conflicto humano. EnglishABSTRACT This article proposes that a common thread unites the subversive gaze of political art in Latin-American territories affected by social conflict. This vision of contemporary Latin-American art is based on the correspondence between art, politics and social relations of power. This study offers an open proposal oriented toward an aesthetics of subversion, which is based on a discussion of artistic creation emerging from social denunciation and political commitment. Rather than a diachronic study of art history, this project aims at a theoretical reflection on art that finds its inspiration in the political convulsions arising from the oppression suffered in Latin America. 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引用次数: 0
摘要
这篇文章提出了一个假设,即在受社会冲突影响的拉丁美洲领土上,政治艺术的颠覆性外观有一个共同的位置。这种对拉丁美洲当代艺术的独特看法是建立在艺术、政治和社会权力关系之间的对应之上的。在这篇文章中,作者提出了一种方法,通过这种方法,颠覆的美学可以被理解为一种艺术创作,而不是社会谴责和政治承诺。它不是对艺术史的历时性研究,而是对艺术的理论反思,其灵感来自于拉丁美洲遭受的压迫的政治动荡。最后,本文从文化研究的跨学科视角,提出了一种基于不服从的美学、艺术中的政治动员和人类冲突的艺术可视化的视觉文化的基础。这篇文章提出,一条共同的线将受社会冲突影响的拉丁美洲领土上的颠覆性政治艺术编织在一起。这种当代拉丁美洲艺术的观点是基于艺术、政治和权力的社会关系之间的对应关系。该研究提出了一项面向颠覆美学的开放建议,其基础是对社会谴责和政治承诺所产生的艺术创作的讨论。而不是diachronic study of art history,本项目负责人理论reflection on艺术that its inspiration in the political会见convulsions arising from the ramola bhar侵犯in Latin America。综上所述,本研究从跨学科文化研究的角度,为基于不服从的审美化、艺术启发的政治动员和人类冲突的艺术可视化的视觉文化奠定了基础。
UNA APROXIMACIÓN A LAS MIRADAS SUBVERSIVAS EN EL ARTE POLÍTICO DE LATINOAMÉRICA
espanolRESUMEN Este articulo plantea la conjetura de un lugar comun en las miradas subversivas del arte politico en territorios de Latinoamerica afectados por el conflicto social. Esta vision propia del arte contemporaneo latinoamericano se construye a partir de la correspondencia entre el arte, la politica y las relaciones sociales de poder. El resultado es una propuesta abierta orientada a la concepcion de una estetica de la subversion, que el texto discute a partir de la creacion artistica producida alrededor de la denuncia social y el compromiso politico. No es un estudio diacronico de la historia del arte, sino una reflexion teorica sobre el arte que encuentra su inspiracion en las convulsiones politicas de las opresiones sufridas en Latinoamerica. En conclusion, el texto aporta, desde la perspectiva interdisciplinar de los estudios culturales, la fundacion de una cultura visual basada en la estetizacion de la insubordinacion, la movilizacion politica desde el arte y la visualizacion artistica del conflicto humano. EnglishABSTRACT This article proposes that a common thread unites the subversive gaze of political art in Latin-American territories affected by social conflict. This vision of contemporary Latin-American art is based on the correspondence between art, politics and social relations of power. This study offers an open proposal oriented toward an aesthetics of subversion, which is based on a discussion of artistic creation emerging from social denunciation and political commitment. Rather than a diachronic study of art history, this project aims at a theoretical reflection on art that finds its inspiration in the political convulsions arising from the oppression suffered in Latin America. In conclusion, this study provides, from the interdisciplinary perspective of cultural studies, a foundation for a visual culture based on the aestheticization of insubordination, artistically inspired political mobilization, and the artistic visualization of human conflict.
期刊介绍:
The journal Atenea, published by the University of Concepcion, is published twice a year. Its objective is to circulate research and critical reflection in the area of Chilean and Latin American Culture. It includes relevant themes of different disciplines (literary, sociological, fine arts, historical, scientific, etc.), arising from research and studies coming from the university and intellectual areas of Chile and Latin America. It is a publication aimed at researchers, thinkers, artists and readers in general who are interested in the development of ideas, knowledge and critical intellectual dialogue.