{"title":"Trampolinhuset: Kulturelt rum som politisk modspil","authors":"Signe Brink Wehl","doi":"10.7146/POLITIK.V21I2.111415","DOIUrl":null,"url":null,"abstract":"Trampoline House in Copenhagen North Western neighborhood is a social space for asylum seekers, activists and other interested. The space started as an art project. It was a critique of the conditions in the refugee camps, and the space aimed to be a free space and show an alternative solution to the immigration policy at the time. Trampoline House exists today, and the migration debate is still a present focal point in the political debate in Denmark. \nWith the concept Critical Spatial Practice architecture professor Jane Rendell (2006) argues, that architecture and spatial art has a potential in addressing critique, free space and potentially change. This paper discusses, with starting point in the Trampoline house and Rendell’s theoretical concepts, how cultural space can be a political counter strategy, and how art can play a role within this concept. Specifically, the paper explores to which extend and how the Trampoline House as space and art project has been a political player and change agent.","PeriodicalId":32549,"journal":{"name":"Jurnal Politik","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2018-12-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Jurnal Politik","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.7146/POLITIK.V21I2.111415","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Trampolinhuset: Kulturelt rum som politisk modspil
Trampoline House in Copenhagen North Western neighborhood is a social space for asylum seekers, activists and other interested. The space started as an art project. It was a critique of the conditions in the refugee camps, and the space aimed to be a free space and show an alternative solution to the immigration policy at the time. Trampoline House exists today, and the migration debate is still a present focal point in the political debate in Denmark.
With the concept Critical Spatial Practice architecture professor Jane Rendell (2006) argues, that architecture and spatial art has a potential in addressing critique, free space and potentially change. This paper discusses, with starting point in the Trampoline house and Rendell’s theoretical concepts, how cultural space can be a political counter strategy, and how art can play a role within this concept. Specifically, the paper explores to which extend and how the Trampoline House as space and art project has been a political player and change agent.