{"title":"遗忘记忆:《美丽心灵的永恒阳光》、《一切都被照亮》、《纪念品》中的失忆政治与记忆重建","authors":"M. Goc","doi":"10.2478/abcsj-2019-0019","DOIUrl":null,"url":null,"abstract":"Abstract This essay aims to discuss the ideological aspects of memory loss as a reconstruction of personal and collective memory with reference to several Hollywood movies, Eternal Sunshine of the Spotless Mind, Memento and Everything Is Illuminated. The essay explores the construction of memory within a network of power relations and the profound influence that the reproduction of memory has on the embodiment of personal identities. The unreliability of human memory has been a major issue in philosophical debates and works of art from early Greek philosophy to cyberpunk novels. Memory studies draw on a wide range of academic fields varying from neuroscience to political science, with an emphasis on prosthetic memories, identity and body politics, displaced cultural identities, and consumer culture. Often intermingled with collective narratives, memory is an ideological artifact or rather a form of language that can be institutionally manipulated or manufactured. The mass production of personal and collective memories further deprives human beings of control over their personal histories and identity constructions. In this regard, this article elaborates the formation, reinforcement, and reconstruction of memory in contemporary culture with particular references to the inclusion of hegemony, cultural politics, and identity politics in selected movies.","PeriodicalId":37404,"journal":{"name":"American, British and Canadian Studies","volume":"80 1","pages":"135 - 150"},"PeriodicalIF":0.1000,"publicationDate":"2019-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Forgetting to Re-member: Politics of Amnesia and the Reconstruction of Memory in Eternal Sunshine of the Spotless Mind, Everything Is Illuminated and Memento\",\"authors\":\"M. Goc\",\"doi\":\"10.2478/abcsj-2019-0019\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract This essay aims to discuss the ideological aspects of memory loss as a reconstruction of personal and collective memory with reference to several Hollywood movies, Eternal Sunshine of the Spotless Mind, Memento and Everything Is Illuminated. The essay explores the construction of memory within a network of power relations and the profound influence that the reproduction of memory has on the embodiment of personal identities. The unreliability of human memory has been a major issue in philosophical debates and works of art from early Greek philosophy to cyberpunk novels. Memory studies draw on a wide range of academic fields varying from neuroscience to political science, with an emphasis on prosthetic memories, identity and body politics, displaced cultural identities, and consumer culture. Often intermingled with collective narratives, memory is an ideological artifact or rather a form of language that can be institutionally manipulated or manufactured. The mass production of personal and collective memories further deprives human beings of control over their personal histories and identity constructions. In this regard, this article elaborates the formation, reinforcement, and reconstruction of memory in contemporary culture with particular references to the inclusion of hegemony, cultural politics, and identity politics in selected movies.\",\"PeriodicalId\":37404,\"journal\":{\"name\":\"American, British and Canadian Studies\",\"volume\":\"80 1\",\"pages\":\"135 - 150\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2019-12-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"American, British and Canadian Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.2478/abcsj-2019-0019\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERARY THEORY & CRITICISM\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"American, British and Canadian Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2478/abcsj-2019-0019","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERARY THEORY & CRITICISM","Score":null,"Total":0}
Forgetting to Re-member: Politics of Amnesia and the Reconstruction of Memory in Eternal Sunshine of the Spotless Mind, Everything Is Illuminated and Memento
Abstract This essay aims to discuss the ideological aspects of memory loss as a reconstruction of personal and collective memory with reference to several Hollywood movies, Eternal Sunshine of the Spotless Mind, Memento and Everything Is Illuminated. The essay explores the construction of memory within a network of power relations and the profound influence that the reproduction of memory has on the embodiment of personal identities. The unreliability of human memory has been a major issue in philosophical debates and works of art from early Greek philosophy to cyberpunk novels. Memory studies draw on a wide range of academic fields varying from neuroscience to political science, with an emphasis on prosthetic memories, identity and body politics, displaced cultural identities, and consumer culture. Often intermingled with collective narratives, memory is an ideological artifact or rather a form of language that can be institutionally manipulated or manufactured. The mass production of personal and collective memories further deprives human beings of control over their personal histories and identity constructions. In this regard, this article elaborates the formation, reinforcement, and reconstruction of memory in contemporary culture with particular references to the inclusion of hegemony, cultural politics, and identity politics in selected movies.
期刊介绍:
Founded in 1999, American, British and Canadian Studies, the journal of the Academic Anglophone Society of Romania, is currently published by Lucian Blaga University of Sibiu. Re-launched in refashioned, biannual format, American, British and Canadian Studies is an international, peer-reviewed journal that sets out to explore disciplinary developments in Anglophone Studies in the changing environment forged by the intersections of culture, technology and electronic information. Our primary goal is to bring together in productive dialogue scholars conducting advanced research in the theoretical humanities. As well as offering innovative approaches to influential crosscurrents in contemporary thinking, the journal seeks to contribute fresh angles to the academic subject of English and promote shape-changing research across conventional boundaries. By virtue of its dynamic and varied profile and of the intercultural dialogue that it caters for, ABC Studies aims to fill a gap in the Romanian academic arena, and function as the first publication to approach Anglophone studies in a multi-disciplinary perspective. Within the proposed range of diversity, our major scope is to provide close examinations and lucid analyses of the role and future of the academic institutions at the cutting edge of high-tech. With this end in view, we especially invite contributions in the fields of Comparative Literary and Cultural Studies, Postcolonial Theory, Area Studies, Cultural Anthropology, Language and Linguistics, Multimedia and Digital Arts, Translation Studies and related subjects. With its wide subject range, American, British and Canadian Studies aims to become one of the academic community’s premium scholarly resources.