欧里庇得斯的雕塑诗学:从帕台农神庙到阁楼舞台对艺术、神话和崇拜的反思

IF 0.6 3区历史学 0 ARCHAEOLOGY

Annual of the British School at Athens Pub Date : 2022-01-04 DOI:10.2972/hesperia.88.4.0727

Gregory S. Jones

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引用次数: 1

摘要

摘要:在公元前5世纪末欧里庇德斯创作《伊翁》之前，作为阿波罗之子的伊翁一直是神话和崇拜的对象。本文对该剧与宗教传统和艺术的联系进行了扩展分析，认为其最初的表演培养了一种斐狄斯式的美学，这种美学逐渐暗示了雕塑，并以唤起帝国的帕纳典娜那亚而达到高潮。该剧还引用了帕台农神庙的东楣，包括对佩普洛斯仪式的描述。一项对相关花瓶绘画的分析证实了这一解读，并表明，从一开始，爱奥尼亚人和埃瑞克忒伊德人的神话宗教图像的类似混合是帕台农神庙视觉项目的一个有意组成部分。

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The Sculptural Poetics of Euripides' Ion: Reflections of Art, Myth, and Cult from the Parthenon to the Attic Stage

Abstract:Ion, as the son of Apollo, was an object of myth and cult before Euripides composed the Ion in the late 5th century B.C. This article offers an expanded analysis of the play's associations with religious traditions and art, arguing that its original performance cultivated a Pheidian aesthetic that made progressive allusions to sculpture and culminated in an evocation of the imperial Panathenaia. The play also quoted the Parthenon's east frieze, including the depiction there of the peplos ritual. An analysis of related vase painting corroborates this reading and suggests that a comparable mixture of Ionian and Erechtheid mytho-religious iconography was an intentional component of the Parthenon's visual program from its beginnings.

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来源期刊

Annual of the British School at Athens ARCHAEOLOGY-

CiteScore

1.40

自引率

25.00%

发文量

期刊介绍： The School"s major publication, the Annual of the British School at Athens, is an illustrated volume of over 300 pages, with its Centenary volume appearing in 1995. It is a peer-reviewed journal, which publishes accounts of the School"s projects and articles on a wide range of Hellenic subjects. The table of contents for Volumes 103 and 104 (2008 and 2009) are available below, along with information for contributors. The Annual is available to Subscribing Members of the School. Alternatively, contact the London Secretary for subscription information.