可破解乐器:支持数字音乐交互中的挪用和修改

Q1 Computer Science
Victor Zappi, Andrew Mcpherson
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引用次数: 7

摘要

本文研究了数字乐器的挪用,其中表演者与可能不同于设计师意图的乐器建立了个人工作关系。提出了两项研究,探讨了拨款的不同方面。首先,设计了一个高度限制性的工具来评估约束对意外创造性使用的影响。其次,我们创造了一个数字乐器,它最初与第一个乐器共享一些限制和交互模式,但表演者可以重新连接,以发现设计师没有直接预料到的声音。每一种乐器都由10名音乐家单独研究,准备公开演奏。结果表明,受约束的音乐互动可以促进发现不寻常和特殊的演奏技术,而更严格的约束可能矛盾地导致更丰富的表演者体验。可更换仪器的修改和使用方式的多样性表明,它的设计是开放的,表演者可以解释,他们可能会发现设计师没有预料到的交互方式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Hackable Instruments: Supporting Appropriation and Modification in Digital Musical Interaction
This paper investigates the appropriation of digital musical instruments, wherein the performer develops a personal working relationship with an instrument that may differ from the designer's intent. Two studies are presented which explore different facets of appropriation. First, a highly restrictive instrument was designed to assess the effects of constraint on unexpected creative use. Second, a digital instrument was created which initially shared several constraints and interaction modalities with the first instrument, but which could be rewired by the performer to discover sounds not directly anticipated by the designers. Each instrument was studied with 10 musicians working individually to prepare public performances on the instrument. The results suggest that constrained musical interactions can promote the discovery of unusual and idiosyncratic playing techniques, and that tighter constraints may paradoxically lead to a richer performer experience. The diversity of ways in which the rewirable instrument was modified and used indicates that its design is open to interpretation by the performer, who may discover interaction modalities that were not anticipated by the designers.
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来源期刊
Frontiers in ICT
Frontiers in ICT Computer Science-Computer Networks and Communications
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