{"title":"“限制带来自由”","authors":"J. Heron","doi":"10.1163/18757405-03401007","DOIUrl":null,"url":null,"abstract":"\n Nando Messias is a Brazilian artist based in London whose work straddles performance art, dance and theatre. This interview explores how Nando brings a ‘queer’ perspective to our understanding of Beckett’s drama and Beckettian aesthetics. The artist reflects upon their training, the performing of Not I, and their wider practice in live art and queer performance.","PeriodicalId":53231,"journal":{"name":"Samuel Beckett Today/Aujourd''hui","volume":null,"pages":null},"PeriodicalIF":0.3000,"publicationDate":"2022-04-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"‘Restriction Gives Freedom’\",\"authors\":\"J. Heron\",\"doi\":\"10.1163/18757405-03401007\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\\n Nando Messias is a Brazilian artist based in London whose work straddles performance art, dance and theatre. This interview explores how Nando brings a ‘queer’ perspective to our understanding of Beckett’s drama and Beckettian aesthetics. The artist reflects upon their training, the performing of Not I, and their wider practice in live art and queer performance.\",\"PeriodicalId\":53231,\"journal\":{\"name\":\"Samuel Beckett Today/Aujourd''hui\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2022-04-25\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Samuel Beckett Today/Aujourd''hui\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1163/18757405-03401007\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERARY THEORY & CRITICISM\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Samuel Beckett Today/Aujourd''hui","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1163/18757405-03401007","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERARY THEORY & CRITICISM","Score":null,"Total":0}
Nando Messias is a Brazilian artist based in London whose work straddles performance art, dance and theatre. This interview explores how Nando brings a ‘queer’ perspective to our understanding of Beckett’s drama and Beckettian aesthetics. The artist reflects upon their training, the performing of Not I, and their wider practice in live art and queer performance.
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