{"title":"反对的场景:曼尼普尔的表演和抗议","authors":"J. Menon","doi":"10.1353/atj.2021.0028","DOIUrl":null,"url":null,"abstract":"Abstract:This article examines three scenes of protest, from a short story, a theatre production, and a public protest, respectively. It argues that these scenes demonstrate the power of embodied objection to function as voice when speech itself is unheard. The screaming, naked bodies in these scenes exceed liberal conceptions of agential voice and reconceptualize vulnerability and exposure as a mode of political action.","PeriodicalId":42841,"journal":{"name":"ASIAN THEATRE JOURNAL","volume":"11 1","pages":"424 - 440"},"PeriodicalIF":0.3000,"publicationDate":"2021-10-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Scenes of Objection: Performance and Protest in Manipur\",\"authors\":\"J. Menon\",\"doi\":\"10.1353/atj.2021.0028\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:This article examines three scenes of protest, from a short story, a theatre production, and a public protest, respectively. It argues that these scenes demonstrate the power of embodied objection to function as voice when speech itself is unheard. The screaming, naked bodies in these scenes exceed liberal conceptions of agential voice and reconceptualize vulnerability and exposure as a mode of political action.\",\"PeriodicalId\":42841,\"journal\":{\"name\":\"ASIAN THEATRE JOURNAL\",\"volume\":\"11 1\",\"pages\":\"424 - 440\"},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2021-10-13\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"ASIAN THEATRE JOURNAL\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/atj.2021.0028\",\"RegionNum\":3,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ASIAN STUDIES\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"ASIAN THEATRE JOURNAL","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/atj.2021.0028","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ASIAN STUDIES","Score":null,"Total":0}
Scenes of Objection: Performance and Protest in Manipur
Abstract:This article examines three scenes of protest, from a short story, a theatre production, and a public protest, respectively. It argues that these scenes demonstrate the power of embodied objection to function as voice when speech itself is unheard. The screaming, naked bodies in these scenes exceed liberal conceptions of agential voice and reconceptualize vulnerability and exposure as a mode of political action.
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