{"title":"“Une sorte de lien……:包法利夫人站在巴黎圣母院旁边","authors":"Abigail RayAlexander","doi":"10.1353/mln.2021.0070","DOIUrl":null,"url":null,"abstract":"Abstract:This article explores references to Hugo and his works, particularly Notre-Dame de Paris, within Madame Bovary. Flaubert’s novel offers myriad allusions to both Hugo’s works and literary historical events that established Hugo as an epic figure overshadowing nineteenth-century France. While modernizing Hugo’s medieval monsters, Madame Bovary also presents an incisive critique of how mediocrity responds to greatness.","PeriodicalId":78454,"journal":{"name":"MLN bulletin","volume":"30 1","pages":"S-119 - S-90"},"PeriodicalIF":0.0000,"publicationDate":"2022-01-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"“Une sorte de lien...”: Madame Bovary alongside Notre-Dame de Paris\",\"authors\":\"Abigail RayAlexander\",\"doi\":\"10.1353/mln.2021.0070\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:This article explores references to Hugo and his works, particularly Notre-Dame de Paris, within Madame Bovary. Flaubert’s novel offers myriad allusions to both Hugo’s works and literary historical events that established Hugo as an epic figure overshadowing nineteenth-century France. While modernizing Hugo’s medieval monsters, Madame Bovary also presents an incisive critique of how mediocrity responds to greatness.\",\"PeriodicalId\":78454,\"journal\":{\"name\":\"MLN bulletin\",\"volume\":\"30 1\",\"pages\":\"S-119 - S-90\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-01-05\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"MLN bulletin\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/mln.2021.0070\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"MLN bulletin","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/mln.2021.0070","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
“Une sorte de lien...”: Madame Bovary alongside Notre-Dame de Paris
Abstract:This article explores references to Hugo and his works, particularly Notre-Dame de Paris, within Madame Bovary. Flaubert’s novel offers myriad allusions to both Hugo’s works and literary historical events that established Hugo as an epic figure overshadowing nineteenth-century France. While modernizing Hugo’s medieval monsters, Madame Bovary also presents an incisive critique of how mediocrity responds to greatness.