编码La desband:西班牙内战时期现代新闻摄影与摄影文献的对话(1936-1939)

Q3 Arts and Humanities
Raquel Almodóvar Anaya, A. R. Rodríguez Rey
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引用次数: 0

摘要

desband是西班牙内战(1936-1939)期间佛朗哥在安达卢西亚镇压中最邪恶、最黑暗的一段。发生在1937年2月8日马拉加沦陷之后,纳粹空军强迫成千上万的平民流离失所和屠杀(纳粹空军在这一事件中尝试了袭击,后来在格尔尼卡又进行了袭击)在当时的国际新闻界得到了广泛报道。有Gerda Taro和Robert Capa在法国杂志Regards上发表的照片报道,还有Norman白求恩在《El crimen de la carretera de Málaga a Almería》(1937)下以书籍的形式出版的纪事,其中包括在地面拍摄的照片。最近的发现,如安东尼Campañà的作品,让我们第一次提供了一个整合和新颖的观点:通过摄影作为20世纪前三分之一西方背景下大众传播手段的人类经验的表现,并作为即将成为第二次世界大战的序曲。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
(De)Coding La Desbandá: a Dialogue between Modern Photojournalism and Photographic Document during Spanish Civil War (1936-1939)
The Desbandá is one of the most sinister and darkest episodes of Franco's repression in Andalusia during the Spanish Civil War (1936-1939). Occurring after the fall of Malaga on 8 February 1937, the forced displacement and massacre of thousands of civilians by the Nazi air force (which tried out attacks in this episode that would later be repeated in Guernica) was widely reported in the international press at the time. There were photo reports such as the one by Gerda Taro and Robert Capa published by the French magazine Regards, as well as a chronicle with photographs taken on the ground and published in book form under the title El crimen de la carretera de Málaga a Almería (1937) by Norman Bethune. Recent discoveries such as the work of Antoni Campañà allow us to offer, for the first time, an integrating and novel view: the representation of human experience(s) based on the same collective trauma through photography as a means of mass communication in the Western context of the first third of the 20th century, and as a prologue to what was to become World War II.
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来源期刊
Discursos Fotograficos
Discursos Fotograficos Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.30
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审稿时长
12 weeks
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