雅克·德劳内和诗人丹皮埃尔和马尔康维尔在警句中

Q1 Arts and Humanities
J. Nassichuk
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引用次数: 0

摘要

雅克·德劳内(雅克布斯·阿尔内图)是一名医生,也是圣-Étienne德特鲁瓦的教长。在他1539年鲜为人知的警句集中,包括了两个重要的,迄今为止未被注意到的,修道院人文主义诗人让·丹皮埃尔和尼古拉斯·德·马康维尔与他自己之间的诗歌交流。在简要介绍了这两位人物之后,本文考察了构成与德劳内的两首诗歌“通信”的诗歌的主题和文学技巧特征。检查这两个独立的序列揭示了几个共同的,统一的主题。对于这些诗人来说,他们的诗歌发明的相对(感知的)贫乏,以及由此产生的深深的痛苦,构成了一个反复出现的主题,也是一个真正的关注点,他们都谈到了分散他们培养缪斯的责任所带来的挑战。他们对这些主题的集体沉思静静地阐述了对次要诗歌体裁的尊严的捍卫,比如十首诗或挽歌中的警句,只要这些体裁经常表达友谊、爱情和基督教团结的关系。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Jacques Delaunay et les moines poètes Dampierre et Marconville dans les Epigrammata
In his little-known 1539 collection of epigrams, Jacques Delaunay (Jacobus Alnetus), a physician and canon of Saint-Étienne de Troyes, includes two important, and hitherto unnoticed, poetic exchanges between the monastic humanist poets Jean Dampierre and Nicolas de Marconville and himself. After a brief presentation of these two figures, the present article examines the principal themes and literary techniques characteristic of the poems that comprise the two poetic “correspondences” with Delaunay. Examination of these two separate sequences reveals several common, unifying themes. The relative (perceived) impoverishment of their poetic invention, and the deep anguish that it generates, constitutes a recurring motif, and a veritable preoccupation, for these poets, all of whom speak of the challenges posed by duties that distract them from cultivating the muse. Their collective meditation on these themes quietly elaborates a defense of the dignity of minor poetic genres such as the epigram in hendecasyllables or elegiac distichs, insofar as these genres often give voice to relations of friendship, love, and Christian solidarity.
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来源期刊
Humanistica Lovaniensia
Humanistica Lovaniensia Arts and Humanities-Literature and Literary Theory
CiteScore
0.20
自引率
0.00%
发文量
6
审稿时长
20 weeks
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