预言人类时间的终结:巴拉德短篇小说中的生态焦虑与回归

IF 0.2 0 LITERARY THEORY & CRITICISM
D. Oramus
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引用次数: 0

摘要

尽管j.g.巴拉德的灾难小说创作于“生态焦虑”(吉福德和吉福德)一词出现半个世纪之前,但可以在气候变化的社会心理动力学背景下阅读。我写这篇文章的目的是为了证明,在巴拉德的小说中,气候灾难和对自然的破坏使人物意识到地球将无法再维持人类的生命,他们的心理反应要么是压抑的愤怒,要么是奇怪的麻木。为了说明这一点,我分析了巴拉德的两个短篇小说:《深尾》(1961)和《低空飞行的飞机》(1975),并展示了它们的主人公是如何受到他们所居住的景观的影响的:人口稀少的荒地,野生动物灭绝或变异。我认为,正是他们意识到地球上的人类文明即将走向终结,才导致了类似于生态焦虑的心理状态。这些人物都沉浸在自己的内心世界里,在这些故事中,时钟不是从过去到未来的通道,而是结束的倒计时。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Prophesying the End of Human Time: Eco-Anxiety and Regress in J. G. Ballard’s Short Fiction
Despite being written half a century before the term “eco-anxiety” (Gifford and Gifford) was coined, J. G. Ballard’s disaster fictions can be read in the context of the social psychodynamics of climate change. My aim in this article is to demonstrate that in J. G. Ballard’s fiction, climate catastrophes and the devastation of nature cause the characters to realize that the Earth is not going to be able to sustain human life much longer, and their psychological reaction is either subdued anger or strange numbness. In order to do this, I analyze two short stories by Ballard: “Deep End” (1961) and “Low-Flying Aircraft” (1975) and show how their protagonists are affected by the landscape they inhabit: de-populated wastelands whose wildlife is extinct or mutated. I argue that it is their awareness that human civilization on earth is coming to its end that results in the state of mind akin to eco-anxiety. The characters are immersed in their own inner space and in these stories clocks mark not the passage from past to future but a countdown to the end.
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来源期刊
CiteScore
0.60
自引率
0.00%
发文量
0
审稿时长
23 weeks
期刊介绍: Text Matters: A Journal of Literature, Theory and Culture, based at the University of Łódź, is an international and interdisciplinary journal, which seeks to engage in contemporary debates in the humanities by inviting contributions from literary and cultural studies intersecting with literary theory, gender studies, history, philosophy, and religion. The journal focuses on textual realities, but contributions related to art, music, film and media studies addressing the text are also invited. Submissions in English should relate to the key issues delineated in calls for articles which will be placed on the website in advance. The journal also features reviews of recently published books, and interviews with writers and scholars eminent in the areas addressed in Text Matters. Responses to the articles are more than welcome so as to make the journal a forum of lively academic debate. Though Text Matters derives its identity from a particular region, central Poland in its geographic position between western and eastern Europe, its intercontinental advisory board of associate editors and internationally renowned scholars makes it possible to connect diverse interpretative perspectives stemming from culturally specific locations. Text Matters: A Journal of Literature, Theory and Culture is prepared by academics from the Institute of English Studies with considerable assistance from the Institute of Polish Studies and German Philology at the University of Łódź. The journal is printed by Łódź University Press with financial support from the Head of the Institute of English Studies. It is distributed electronically by Sciendo. Its digital version published by Sciendo is the version of record. Contributions to Text Matters are peer reviewed (double-blind review).
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