关于奥维德的笔记,爱的1.12

Natalie J. Swain
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引用次数: 0

摘要

在《爱之歌》第1.11章中,那个拿着奥维德的请柬去参加他的舞会的理发师几乎立刻被指责为他在第1.12章中拒绝了奥维德,然后这一指责被转移到携带请柬的片剂上。Nape (puella的被奴役的理发师)与角色Dipsas有关,出现在1.7中,特别是通过描述符sobria。通过关注动词“uerto”的使用,提到神话中的斯特里克斯,以及1.7和1.12中与狄psas和石碑有关的诅咒,这篇笔记表明,超自然的词汇选择进一步将Nape与狄psas联系起来。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
NAPE VERTIT: A NOTE ON OVID, AMORES 1.12
The hairdresser who carries Ovid's invitation to his puella in Amores 1.11 is almost immediately blamed for his rejection in 1.12, before that blame is transferred to the tablets carrying that invitation. Nape (the enslaved hairdresser of the puella) has been linked to the character Dipsas, appearing in 1.7, specifically through the descriptor sobria. By focussing on the use of the verb uerto, the reference to the mythical strix, and curses related to the old age of both Dipsas and the tablets in 1.7 and 1.12, this note demonstrates that the supernatural word choice further connects Nape with Dipsas.
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