Vajramahākāla和Dharmāśraya和Siṅhasāri的尺子śaivasaugata

Q1 Arts and Humanities
Iain Sinclair
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引用次数: 0

摘要

在前殖民时期的苏门答腊岛,出现了一幅令人印象深刻的图像,一个凶残的神手持切肉刀和头骨。神像被描绘成剑上的女性伴侣Mandākinī,是在Dharmāśraya苏门答腊高地发现的一座巨大的雕像。这些图像通常被认为是代表(Śivaite)巴拉瓦和国王Ādityavarman(约1294-1374),但它们有明显的佛教信仰标志。这里显示,他们代表Vajramahākāla,如佛教中描述的Ḍākinīvajrapañjara-tantra,和嗜血的Kālī。对比照片分析证实,纪念碑Vajramahākāla同时是Kṛtanagara(约1268-1292年)的写照,śaivasaugata爪哇Siṅhasāri王朝的统治者和Dharmāśraya的统治者。Vajramahākāla作为后期印度教-佛教政治的统一人物的吸引力,在该地区的两个印度人的职业生涯中得到了进一步的阐明,Dharmāśraya的Tribhuvanarāja(1286年)和巡回的paṇḍita Gautamaśrī(1248-1268年)。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Vajramahākāla and the śaivasaugata rulers of Dharmāśraya and Siṅhasāri
Impressive images of a ferocious deity holding a cleaver and skullcup emerged in precolonial Sumatra. The deity is depicted with a female partner on the sword Mandākinī, and as a monumental statue found at Dharmāśraya in the Sumatran highlands. These images are often said to represent (the Śivaite) Bhairava and king Ādityavarman (c. 1294–1374), but they have overt marks of Buddhist affiliation. It is shown here that they represent Vajramahākāla, as described in the Buddhist Ḍākinīvajrapañjara­tantra, and the bloodthirsty Kālī. Comparative photographic analysis confirms that the monumental Vajramahākāla is concurrently a portrayal of Kṛtanagara (r. 1268–1292), śaivasaugata ruler of the Javanese Siṅhasāri dynasty and overlord of Dharmāśraya. Vajramahākāla’s appeal as a unity figure for late Hindu-Buddhist polities is further illuminated by the careers of two Indians in the region, Tribhuvanarāja of Dharmāśraya (r. 1286) and the itinerant paṇḍita Gautamaśrī (fl. 1248–1268).
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来源期刊
Entangled Religions
Entangled Religions Arts and Humanities-Religious Studies
CiteScore
1.10
自引率
0.00%
发文量
47
审稿时长
24 weeks
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