{"title":"亨宁·曼凯尔的《来自北京的男人》","authors":"Daniel Mckay","doi":"10.1353/mos.2021.a903584","DOIUrl":null,"url":null,"abstract":"Abstract:The Man from Beijing depicts ethnic Chinese workers on the US transcontinental railroad, a literary development that challenges the linguistic boundaries nominally associated with Asian American Studies. Of equal importance, I argue, is the way Mankell expands the cartography of Nordic Noir to encompass capitalism's old-new frontiers in China (PRC).","PeriodicalId":44769,"journal":{"name":"Mosaic-An Interdisciplinary Critical Journal","volume":"101 1","pages":"1 - 16"},"PeriodicalIF":0.0000,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Vengeance Unbound: Henning Mankell's The Man from Beijing\",\"authors\":\"Daniel Mckay\",\"doi\":\"10.1353/mos.2021.a903584\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:The Man from Beijing depicts ethnic Chinese workers on the US transcontinental railroad, a literary development that challenges the linguistic boundaries nominally associated with Asian American Studies. Of equal importance, I argue, is the way Mankell expands the cartography of Nordic Noir to encompass capitalism's old-new frontiers in China (PRC).\",\"PeriodicalId\":44769,\"journal\":{\"name\":\"Mosaic-An Interdisciplinary Critical Journal\",\"volume\":\"101 1\",\"pages\":\"1 - 16\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-12-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Mosaic-An Interdisciplinary Critical Journal\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/mos.2021.a903584\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Mosaic-An Interdisciplinary Critical Journal","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/mos.2021.a903584","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"Arts and Humanities","Score":null,"Total":0}
Vengeance Unbound: Henning Mankell's The Man from Beijing
Abstract:The Man from Beijing depicts ethnic Chinese workers on the US transcontinental railroad, a literary development that challenges the linguistic boundaries nominally associated with Asian American Studies. Of equal importance, I argue, is the way Mankell expands the cartography of Nordic Noir to encompass capitalism's old-new frontiers in China (PRC).