{"title":"不丹-尼泊尔诗歌中的世俗美学","authors":"Taralal Shrestha","doi":"10.55564/tbj41ts23ir","DOIUrl":null,"url":null,"abstract":"This research attempts to explore secular aesthetics reflected in Punarwaspachhika Bhutani Nepali Kavita, an anthology of Nepali poems representing post-resettlement Bhutanese-Nepali literature published by Nepal Academy in 2022. Finding secular aesthetics in Bhutanese-Nepali literature is very rare. This qualitative research primarily explores secular aesthetics in the post-resettlement Bhutanese Nepali representative poems. The anthology has been assessed from the notion of hegemony and counter-hegemony and analysed their historicity.","PeriodicalId":22293,"journal":{"name":"The Bhutan Journal","volume":"1 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2023-01-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Secular Aesthetics in Bhutanese-Nepali Poems\",\"authors\":\"Taralal Shrestha\",\"doi\":\"10.55564/tbj41ts23ir\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This research attempts to explore secular aesthetics reflected in Punarwaspachhika Bhutani Nepali Kavita, an anthology of Nepali poems representing post-resettlement Bhutanese-Nepali literature published by Nepal Academy in 2022. Finding secular aesthetics in Bhutanese-Nepali literature is very rare. This qualitative research primarily explores secular aesthetics in the post-resettlement Bhutanese Nepali representative poems. The anthology has been assessed from the notion of hegemony and counter-hegemony and analysed their historicity.\",\"PeriodicalId\":22293,\"journal\":{\"name\":\"The Bhutan Journal\",\"volume\":\"1 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-01-31\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"The Bhutan Journal\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.55564/tbj41ts23ir\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"The Bhutan Journal","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.55564/tbj41ts23ir","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
本研究试图探索《Punarwaspachhika Bhutani Nepali Kavita》所反映的世俗美学，这是尼泊尔学院于2022年出版的一部尼泊尔诗歌选集，代表了重新安置后的不丹-尼泊尔文学。在不丹-尼泊尔文学中发现世俗美学是非常罕见的。本质性研究主要探讨安置后不丹尼泊尔人代表性诗歌中的世俗美学。从霸权和反霸权的概念对选集进行了评价，并分析了它们的历史性。
This research attempts to explore secular aesthetics reflected in Punarwaspachhika Bhutani Nepali Kavita, an anthology of Nepali poems representing post-resettlement Bhutanese-Nepali literature published by Nepal Academy in 2022. Finding secular aesthetics in Bhutanese-Nepali literature is very rare. This qualitative research primarily explores secular aesthetics in the post-resettlement Bhutanese Nepali representative poems. The anthology has been assessed from the notion of hegemony and counter-hegemony and analysed their historicity.
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