阿尔泰民间传说中的文化英雄萨塔克派

Q2 Arts and Humanities
Tamara M. Sadalova, Tatuna N. Pashtakova
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引用次数: 0

摘要

介绍。阿尔泰神话是一个独特的宗教和神话体系,因为阿尔泰人的历史和文化联系可以追溯到中亚突厥和蒙古的古代和中世纪历史。本文以南西伯利亚和蒙古民间传说中广为人知的文化英雄萨尔塔派为中心,分析阿尔泰神话。的目标。这项工作旨在确定阿尔泰人固有的文化景观(或民族文化空间)系统中的神话基础。材料和方法。为了促进这一点,迫切需要揭示维持宗教和神话传统的机制,并有助于选择、保存或删除神话、民间故事和传说情节中的某些元素。因此,它是传统民俗学研究方法与跨学科研究方法的结合。本文从比较的角度考察阿尔泰民俗的多体裁文本,并涉及相关文化的比较材料。这使得我们有可能将阿尔泰宗教神话体系与神话世界观紧密联系起来,识别出一些新的维度,实现其“古”与“新”层之间的关系。结果。人们普遍认为,阿尔泰神话主要是病原学性质的,倾向于表达人们遥远祖先的世界观和态度。阿尔泰文化景观系统(或民族空间)包含了其神话发展的概念。按等级排列的神灵——每一个都在三维空间中占据一个特殊的位置——与安排(开发)中土世界某些地方、河流、湖泊的文化英雄共存。萨尔塔派是阿尔泰民间传说中最受欢迎的英雄,他的名字与一些自然物体的起源有关。在阿尔泰神话中,他被视为人类居住的中土世界最活跃的建设者,也是阿尔泰人。他的形象很有创造性,正是他在阿尔泰人的文化遗产中留下了许多有价值的证据,这些证据保存至今,这位文化英雄本身仍然被视为一个荣耀的历史人物,而不是一个神话人物。因此,Sartakpai的形象在当今的民族文化进程和话语中仍然存在。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Образ культурного героя Сартакпая в алтайском фольклоре
Introduction. Altaian mythology is a distinct religious and mythological system, since historical and cultural ties of the Altai people go deep into the ancient and medieval history of Central Asian Turks and Mongols. The article analyzes Altaian myths centered around the culture hero Sartakpai whose image is widely known in folklore traditions of Southern Siberia and Mongolia. Goals. The work aims to identify mythological foundations in the system of cultural landscapes (or ethnocultural space) inherent to the Altai people. Materials and methods. To facilitate this, it is urgent to reveal mechanisms that sustain the religious and mythological tradition, and serve to select, preserve or remove certain elements in plots of myths, folktales, and legends. So, it is a combination of traditional folklore research methods and an interdisciplinary approach that proves instrumental therein. The paper examines multi-genre texts of Altaian folklore from a comparative perspective, and involves comparative materials of related cultures. This makes it possible to consider the Altaian religious and mythological system in its close relationship with the mythological world view, identify some new dimensions, and actualize relations between its ‘ancient’ and ‘new’ layers. Results. It is generally agreed that Altaian mythology is largely etiological by nature and tends to express worldviews and attitudes of the people’s distant ancestors. The Altaian system of cultural landscapes (or ethnic space) comprises a concept of its mythological development. Hierarchically arranged deities and spirits — each occupying a special niche in three-dimensional space — co-exist with culture heroes that had arranged (developed) certain places, rivers, lakes in the Middle World. And it is Sartakpai who proves a most popular hero of Altaian folklore and whose name is associated with origins of some natural objects. In Altaian mythology, he is viewed as a most active builder of the human-inhabited Middle World — and a native of the Altai. His image is creative, and it is him who had left behind lots of productive evidence in cultural heritage of the Altai people that survive to date, the culture hero himself being still perceived as a glorified historical figure rather than a mythological character. Therefore, the image of Sartakpai persists in present-day ethnocultural processes and discourse.
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来源期刊
Oriental Studies
Oriental Studies Arts and Humanities-History
CiteScore
0.50
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0.00%
发文量
49
审稿时长
24 weeks
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