一幅善终的图画

IF 0.4 Q3 SOCIAL SCIENCES, INTERDISCIPLINARY

Departures in Critical Qualitative Research Pub Date : 2021-01-01 DOI:10.1525/dcqr.2021.10.3.31

Cheyenne Zaremba

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引用次数: 0

摘要

在19世纪早期，照相机的发明引入了一种全新的方式来捕捉和表现死亡中的身体。尸检摄影创造了一幅身体的照片，将死亡描绘成平静、和平和压倒性的白色。这篇文章引用了死后摄影和种族不公正的例子来说明种族尸体在死亡图像中的表现方式。通过三个场景的表演，我探索了善终的原则，这是美国黑人历来不享有的特权。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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A Picture of a Good Death

In the early 19th century, the invention of the camera introduced a whole new way to capture and represent the body in death. Postmortem photography created a picture of the body that depicted death as poised, peaceful, and overwhelmingly white. This essay references postmortem photography and examples of racial injustice to exemplify the ways raced bodies are represented in images of death. Through the performance of three scenes, I explore the principle of a good death as a privilege historically withheld from Black Americans.

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来源期刊

Departures in Critical Qualitative Research Arts and Humanities-Language and Linguistics

CiteScore

0.80

自引率

0.00%

发文量