神泻乐乐演奏中的音乐

Catherine Hallett
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引用次数: 1

摘要

乐歌(Rakugo)是日本传统的舞台喜剧,由训练有素的花式说书人与小型城市杂耍剧院(称为yose)合作,在神潟和江户地区发现。虽然剧院与口头而不是音乐活动有关,但音乐是神泻乐乐表演的一个组成部分。它对于呈现讲故事的人的表演和创造整个剧院的氛围都是至关重要的。这篇论文解决了对神泻乐乐演奏中音乐的详细研究的缺乏,特别是在英语中。它展示并记录了音乐在神潟乐乐演奏中的中心地位,特别是这种富有象征意义的音乐,帮助讲故事的人的表演,并在本质上与讲故事的人和yosebayashi合奏音乐家的等级结构联系在一起。它侧重于音乐如何在表演中发挥作用,传递意义和支持合奏的社会结构。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Music in Kamigata Rakugo Performance
Rakugo is the Japanese tradition of staged comic storytelling presented by highly trained hanashika storytellers associated with small urban variety theatres called yose, found in the Kamigata and Edo regions. Although yose theatres are associated with spoken rather than musical events, music is an integral component of Kamigata rakugo performance. It is central both to the rendering of a storyteller’s performance and to creating the overall atmosphere in the yose theatre. !is paper addresses the lack of detailed research on music in Kamigata rakugo performance, particularly in English. It demonstrates and documents the centrality of music in Kamigata rakugo performance, speci"cally the way that this music, which is rich in symbolism, aids a storyteller’s performance and is intrinsically bound up in the hierarchical structure of the storytellers and yose-bayashi ensemble musicians. It focuses on how the music functions in the performances, transmitting meanings and supporting the social structure of the ensemble.
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