{"title":"数字化的蜉蝣重新加载:一个艺术博物馆图书馆的数字化计划","authors":"K. Smith","doi":"10.1086/688732","DOIUrl":null,"url":null,"abstract":"Access, discovery, and preservation have historically been concerns for artists’ file collections. To address these issues, the author outlines a systematic digitization plan developed during an internship at the National Gallery of Art Library in Washington, DC, during the summer of 2013. Discovery, execution on limited funds, a realistic workflow, and standards are just a few of the areas any digitization project must consider. This study is an example of how institutions of any size can approach digitization of ephemera and better serve their constituents.","PeriodicalId":43009,"journal":{"name":"Art Documentation","volume":"1 1","pages":"329 - 338"},"PeriodicalIF":0.2000,"publicationDate":"2016-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"2","resultStr":"{\"title\":\"Digitizing Ephemera Reloaded: A Digitization Plan for an Art Museum Library\",\"authors\":\"K. Smith\",\"doi\":\"10.1086/688732\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Access, discovery, and preservation have historically been concerns for artists’ file collections. To address these issues, the author outlines a systematic digitization plan developed during an internship at the National Gallery of Art Library in Washington, DC, during the summer of 2013. Discovery, execution on limited funds, a realistic workflow, and standards are just a few of the areas any digitization project must consider. This study is an example of how institutions of any size can approach digitization of ephemera and better serve their constituents.\",\"PeriodicalId\":43009,\"journal\":{\"name\":\"Art Documentation\",\"volume\":\"1 1\",\"pages\":\"329 - 338\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2016-09-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"2\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Art Documentation\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1086/688732\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ART\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Art Documentation","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1086/688732","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
Digitizing Ephemera Reloaded: A Digitization Plan for an Art Museum Library
Access, discovery, and preservation have historically been concerns for artists’ file collections. To address these issues, the author outlines a systematic digitization plan developed during an internship at the National Gallery of Art Library in Washington, DC, during the summer of 2013. Discovery, execution on limited funds, a realistic workflow, and standards are just a few of the areas any digitization project must consider. This study is an example of how institutions of any size can approach digitization of ephemera and better serve their constituents.
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