在即兴音乐表演中追踪节拍的计算方法

Xianghui Xie, Jared Houghtaling, K. Foubert, T. Waterschoot
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引用次数: 0

摘要

节拍跟踪,或识别音乐录音中节拍的时间位置,有各种各样的应用,从音乐信息检索到机器收听。迄今为止,用于监控音乐录制速度的算法已经针对节奏相对稳定、结构重复和旋律一致的音乐进行了优化;这些算法通常很难遵循即兴音乐的自由形式。在这里,我们提出了一个多智能体即兴节拍跟踪器(MAIBT),它解决了即兴演奏带来的挑战,并在即兴音乐治疗期间收集的独特数据集上将其性能与其他最先进的方法进行了比较。该算法是针对MIDI文件设计的,分为四个阶段:(1)预处理,去除弱音和重叠的音符;(2)对剩余音符进行聚类并对聚类进行排序;(3)初始化代理并基于性能进行选择;(4)人工插入和删除节拍,填补剩余节拍的空白,创建一个完整的节拍序列。对于缺乏规律性的音乐,这种特殊的方法比其他一般的节拍跟踪方法表现得更好;因此,它非常适合于不可预测性和不准确性占主导地位的应用,例如音乐治疗即兴创作。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Computational Approach to Track Beats in Improvisational Music Performance
Beat tracking, or identifying the temporal locations of beats in a musical recording, has a variety of applications that range from music information retrieval to machine listening. Algorithms designed to monitor the tempo of a musical recording have thus far been optimized for music with relatively stable rhythms, repetitive structures, and consistent melodies; these algorithms typically struggle to follow the free-form nature of improvisational music. Here, we present a multi-agent improvisation beat tracker (MAIBT) that addresses the challenges posed by improvisations and compare its performance with other state-of-the-art methods on a unique data set collected during improvisational music therapy sessions. This algorithm is designed for MIDI files and proceeds in four stages: (1) preprocessing to remove notes that are timid and overlapping, (2) clustering of the remaining notes and subsequent ranking of the clusters, (3) agent initialization and performance-based selection, and (4) artificial beat insertion and deletion to fill remaining beat gaps and create a comprehensive beat sequence. This particular method performs better than other generic beat-tracking approaches for music that lacks regularity; it is thus well suited to applications where unpredictability and inaccuracy are predominant, such as in music therapy improvisation.
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