悲伤的绿色

S. Stanković, Linda Paganelli
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引用次数: 0

摘要

本文试图从后人类翻译的角度来解读受流行病折磨的(人类)世界。为了呼应安娜·青对“合作生存”的呼吁,它用人类蜘蛛在森林中的形象来表达,它们感觉到人类的彻底孤立,因此失去了亲近。人们目睹了对各种机构的虐待:那些被经济化、种族化或国有化的机构。通过这种方式,本文提出了一种后人类的方法来研究世界范围内扭曲的亲密关系。它使用多模态的反映方式:电影、摄影、声音和文字。通过这种非语言和语言元素的结合,本文反驳了人-文化-自然的划分。它要求读者重新思考我们如何才能在平等的相互关系中生存。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Green Color of Grief
This essay tries to read the pandemic-afflicted (human) world in terms of post-human translation. In echoing Anna Tsing’s call for “collaborative survival,” it speaks in images of human-spiders in the forest who sense the radical isolation of humans and, thus, loss of proximity. One witnesses ill-treatment of various bodies: those that are economized, racialized, or nationalized. In this way, the essay proposes a post-human approach to distorted intimacies worldwide. It uses multimodal means of reflection: film, photography, sounds, and words. Through such a combination of nonverbal and verbal elements, the essay argues against the divisions of humans-culture-nature. It asks the reader to rethink how we could exist in equal mutuality.
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来源期刊
Amyotrophic Lateral Sclerosis
Amyotrophic Lateral Sclerosis 医学-临床神经学
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6-12 weeks
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