论契诃夫短篇小说《爱奥涅奇》中的风景

Q2 Arts and Humanities
P. N. Dolzhenkov, Tian Jin
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引用次数: 0

摘要

目的。文章探讨了短篇小说中风景描写与小说内容的联系。这些风景,加上德尔维格的挽歌和对皮塞姆斯基小说《一千个灵魂》的引用,在一定程度上预示了故事的内容,让读者有机会提前预料到爱奥内奇对科蒂克的爱将会消退,故事的主角将以走下坡路告终。崇高、诗意和平凡的日常事物的对立是整个短篇小说《爱奥尼奇》的共同主题。这种矛盾是在故事的开头对花园的描述中建立起来的。风景的描述也呼应了故事的主题,并介绍了其中的一些主题。墓地大门上的铭文引入了对主人公的道德审判的主题。故事中的自然是矛盾的:它承诺“安静、美丽、永恒的生命”,同时又以虚无的无声绝望来威胁。这种矛盾心理也可以在契诃夫的其他作品中找到。除此之外,墓地景观为故事引入了世间万物的短暂性这一主题。墓地的夜景也有性与死亡的结合。这种弗洛伊德式的结合也可以在作家的其他作品中找到。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Concerning the Landscape in A. P. Chekhov’s Short Story “Ionych”
Purpose. The article discusses the connection between the landscape descriptions in the short story and its content.Results. The landscapes, together with Delvig’s elegy and the reference to Pisemsky’s novel A Thousand Souls, partly anticipate the content of the story and give the reader an opportunity to expect beforehand that Ionych’s love for Kotik will fade, and the protagonist of the story will end on a downward slope. The contraposition of the sublime, the poetic and the prosaic everyday matters is the common theme of the whole short story Ionych. This contraposition is set up in the beginning of the story in the description of the garden. The landscape descriptions also echo the themes of the story and introduce some of them. The inscription over the cemetery gate introduces the theme of moral judgment against the protagonist.Conclusion. The nature in the story turns out to be ambivalent: it promises “a quiet, beautiful, eternal life” and at the same time threatens with the mute desperation of nothingness. This ambivalence can be found in other works by Chekhov, too. Besides this, the cemetery landscape introduces into the story the theme of temporality of everything on earth. The landscape of the cemetery at night also has the combination of sex and death present in it. This Freudist combination can be found in the writer’s other works, too.
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