{"title":"民族党对欧盟的反乌托邦叙事中的本体论安全","authors":"Catherine Macmillan","doi":"10.1080/14782804.2022.2141211","DOIUrl":null,"url":null,"abstract":"ABSTRACT This paper explores the two most recent extended manifestos on Europe (2019) of the French populist radical right party Rassemblement National (RN), previously known as the Front National (FN), from a narrative perspective. The perspective used is based on the Narrative Policy Framework’s focus on the setting, plot, characters and moral of the narrative combined with a generic approach. Rather than the ‘classical’ genres of tragedy, comedy, romance and satire, however, this study focuses on the narrative elements of the dystopian genre, and argues that the RN’s narrative on Europe broadly resembles fictional dystopian narratives. In dystopian narratives, the inhabitants find their ontological security threatened by a dehumanising, authoritarian regime, in this case the EU. It is in the ‘green world’, a timeless space outside the limits of the dystopian state, here represented by the RN’s proposed European Alliance of Nations, where the dystopian hero recuperates their sense of autonomy and identity. Such narratives, through exacerbating an already widespread sense of anxiety and ontological insecurity, are potentially powerful attempts to frame continued membership in an unreformed EU as a threat to security.","PeriodicalId":46035,"journal":{"name":"Journal of Contemporary European Studies","volume":"292 1","pages":""},"PeriodicalIF":1.2000,"publicationDate":"2022-10-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Ontological (In)security in the Rassemblement National’s dystopian narrative of the EU\",\"authors\":\"Catherine Macmillan\",\"doi\":\"10.1080/14782804.2022.2141211\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT This paper explores the two most recent extended manifestos on Europe (2019) of the French populist radical right party Rassemblement National (RN), previously known as the Front National (FN), from a narrative perspective. The perspective used is based on the Narrative Policy Framework’s focus on the setting, plot, characters and moral of the narrative combined with a generic approach. Rather than the ‘classical’ genres of tragedy, comedy, romance and satire, however, this study focuses on the narrative elements of the dystopian genre, and argues that the RN’s narrative on Europe broadly resembles fictional dystopian narratives. In dystopian narratives, the inhabitants find their ontological security threatened by a dehumanising, authoritarian regime, in this case the EU. It is in the ‘green world’, a timeless space outside the limits of the dystopian state, here represented by the RN’s proposed European Alliance of Nations, where the dystopian hero recuperates their sense of autonomy and identity. Such narratives, through exacerbating an already widespread sense of anxiety and ontological insecurity, are potentially powerful attempts to frame continued membership in an unreformed EU as a threat to security.\",\"PeriodicalId\":46035,\"journal\":{\"name\":\"Journal of Contemporary European Studies\",\"volume\":\"292 1\",\"pages\":\"\"},\"PeriodicalIF\":1.2000,\"publicationDate\":\"2022-10-30\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of Contemporary European Studies\",\"FirstCategoryId\":\"90\",\"ListUrlMain\":\"https://doi.org/10.1080/14782804.2022.2141211\",\"RegionNum\":3,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q1\",\"JCRName\":\"AREA STUDIES\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Contemporary European Studies","FirstCategoryId":"90","ListUrlMain":"https://doi.org/10.1080/14782804.2022.2141211","RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"AREA STUDIES","Score":null,"Total":0}
Ontological (In)security in the Rassemblement National’s dystopian narrative of the EU
ABSTRACT This paper explores the two most recent extended manifestos on Europe (2019) of the French populist radical right party Rassemblement National (RN), previously known as the Front National (FN), from a narrative perspective. The perspective used is based on the Narrative Policy Framework’s focus on the setting, plot, characters and moral of the narrative combined with a generic approach. Rather than the ‘classical’ genres of tragedy, comedy, romance and satire, however, this study focuses on the narrative elements of the dystopian genre, and argues that the RN’s narrative on Europe broadly resembles fictional dystopian narratives. In dystopian narratives, the inhabitants find their ontological security threatened by a dehumanising, authoritarian regime, in this case the EU. It is in the ‘green world’, a timeless space outside the limits of the dystopian state, here represented by the RN’s proposed European Alliance of Nations, where the dystopian hero recuperates their sense of autonomy and identity. Such narratives, through exacerbating an already widespread sense of anxiety and ontological insecurity, are potentially powerful attempts to frame continued membership in an unreformed EU as a threat to security.
期刊介绍:
The Journal of Contemporary European Studies (previously Journal of European Area Studies) seeks to provide a forum for interdisciplinary debate about the theory and practice of area studies as well as for empirical studies of European societies, politics and cultures. The central area focus of the journal is European in its broadest geographical definition. However, the examination of European "areas" and themes are enhanced as a matter of editorial policy by non-European perspectives. The Journal intends to attract the interest of both cross-national and single-country specialists in European studies and to counteract the worst features of Eurocentrism with coverage of non-European views on European themes.