詹姆斯·巴罗斯(导演)

IF 0.5 3区艺术学 0 FILM, RADIO, TELEVISION

JOURNAL OF POPULAR FILM AND TELEVISION Pub Date : 2020-10-01 DOI:10.1080/01956051.2020.1833173

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引用次数: 0

摘要

詹姆斯•巴罗斯(James Burrows, 1940 -)对相机的摆放略知一二。这位著名的情景喜剧导演执导了《出租车》、《干杯》、《老友记》和《威尔与格蕾丝》，他是有史以来最多产的电视导演之一，在他的简历上有超过1000集的电视。但巴罗斯并不总是渴望在电视上发展事业。作为剧作家兼导演Abe Burrows的儿子，他从小就对娱乐行业有深入的了解，并不想与之有任何关系。他在20世纪60年代中期改变了主意。Gary Rutkowski于2003年12月17日在加州洛杉矶进行了这次采访。

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James Burrows (Director)

James Burrows (1940–) knows a thing or two about camera placement. The famed sitcom director of Taxi, Cheers, Friends, and Will & Grace is one of the most prolific television directors of all time, with over one thousand episodes of TV on his resume. But Burrows didn’t always aspire to a career in television. The son of playwright/director Abe Burrows, he grew up with an inside look at the entertainment industry and wanted nothing to do with it. He changed his mind in the mid-1960s. Gary Rutkowski conducted the interview on December 17, 2003, in Los Angeles, California.

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来源期刊

JOURNAL OF POPULAR FILM AND TELEVISION FILM, RADIO, TELEVISION-

CiteScore

0.60

自引率

0.00%

发文量

期刊介绍： How did Casablanca affect the home front during World War II? What is the postfeminist significance of Buffy the Vampire Slayer? The Journal of Popular Film and Television answers such far-ranging questions by using the methods of popular culture studies to examine commercial film and television, historical and contemporary. Articles discuss networks, genres, series, and audiences, as well as celebrity stars, directors, and studios. Regular features include essays on the social and cultural background of films and television programs, filmographies, bibliographies, and commissioned book and video reviews.