Q1 Arts and Humanities
Spenser Studies Pub Date : 2023-01-01 DOI:10.1086/722428
Richard A. Mccabe
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引用次数: 0

摘要

地点是《仙后》中“意义”的主要决定因素之一,如果不是主要决定因素的话。本文用列斐伏尔的视角来阐释斯宾塞试图创造空间的内在张力,这种空间旨在“反映”和重新“塑造”伊丽莎白女王受邀在仙境中“看到”的各种“领域”,并分析列斐伏尔所认定的“为权力服务的知识和拒绝承认权力的知识形式”之间的“对抗”。虽然这种方法有助于揭示斯宾塞式空间的冲突本质及其产生所需要的那种社会“纪律”,但两位作者之间浮现的类比使我们能够阅读列斐伏尔自己的,最终失败的,将“空间统一理论”作为一种马克思主义的“寓言”来表达,这种“寓言”一再破坏其自身前提的稳定性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
“Soveraigne place”: Spenser with Henri Lefebvre
Location is one of the primary determinants of “meaning” in The Faerie Queene, if not the primary determinant. The present essay uses a Lefebvrian lens to illustrate the tensions inherent in Spenser’s attempt to generate spaces intended both to “mirror” and re-“fashion” the various “realms” Queen Elizabeth is invited to “see” in fairyland and to analyze what Lefebvre identifies as the resulting “antagonism” between “a knowledge which serves power and a form of knowing which refuses to acknowledge power.” While such an approach helps to reveal the conflicted nature of Spenserian space and the sort of social “discipline” its production entails, the emergent analogy between the two authors allows us to read Lefebvre’s own, ultimately frustrated, attempt to articulate “a unified theory of space” as a sort of Marxist “allegory” that repeatedly destabilizes its own premises.
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来源期刊
Spenser Studies
Spenser Studies Arts and Humanities-Literature and Literary Theory
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