该把德国的重要方案变成奥地利之旅:将1945年萨尔茨堡电影节的方案

IF 0.4 2区艺术学 0 MUSIC

JOURNAL OF MUSICOLOGICAL RESEARCH Pub Date : 2021-07-03 DOI:10.1080/01411896.2021.1937151

Rachel Scott

{"title":"该把德国的重要方案变成奥地利之旅:将1945年萨尔茨堡电影节的方案","authors":"Rachel Scott","doi":"10.1080/01411896.2021.1937151","DOIUrl":null,"url":null,"abstract":"ABSTRACT Österreichische Abende, or Austrian Evenings, were a series unique to the 1945 Salzburg Festival. These six solo recitals, five of which featured singers, highlighted Austrian musical culture by recruiting Austrian performers to perform Austrian music in an Austrian setting. For the first time since the Annexation in 1938, Salzburg Festival administrators had the opportunity, albeit with limited resources, to assert an identity separate from Germany. By leveraging available resources, collaborating strategically with occupiers, evoking nostalgia, and providing a sacred space, these small-scale recitals were integral to the first postwar season of the Salzburg Festival and its subsequent revival.","PeriodicalId":42616,"journal":{"name":"JOURNAL OF MUSICOLOGICAL RESEARCH","volume":null,"pages":null},"PeriodicalIF":0.4000,"publicationDate":"2021-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/01411896.2021.1937151","citationCount":"0","resultStr":"{\"title\":\"From “Angelegenheit Großdeutschlands” to “Österreichische Abende”: Programming the 1945 Salzburg Festival\",\"authors\":\"Rachel Scott\",\"doi\":\"10.1080/01411896.2021.1937151\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT Österreichische Abende, or Austrian Evenings, were a series unique to the 1945 Salzburg Festival. These six solo recitals, five of which featured singers, highlighted Austrian musical culture by recruiting Austrian performers to perform Austrian music in an Austrian setting. For the first time since the Annexation in 1938, Salzburg Festival administrators had the opportunity, albeit with limited resources, to assert an identity separate from Germany. By leveraging available resources, collaborating strategically with occupiers, evoking nostalgia, and providing a sacred space, these small-scale recitals were integral to the first postwar season of the Salzburg Festival and its subsequent revival.\",\"PeriodicalId\":42616,\"journal\":{\"name\":\"JOURNAL OF MUSICOLOGICAL RESEARCH\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2021-07-03\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.1080/01411896.2021.1937151\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"JOURNAL OF MUSICOLOGICAL RESEARCH\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/01411896.2021.1937151\",\"RegionNum\":2,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"MUSIC\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"JOURNAL OF MUSICOLOGICAL RESEARCH","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/01411896.2021.1937151","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}

引用次数: 0

摘要

摘要Österreichische《奥地利之夜》是1945年萨尔茨堡音乐节上独一无二的系列节目。这六场独奏会，其中五场以歌手为特色，通过招募奥地利表演者在奥地利的环境中表演奥地利音乐，突出了奥地利的音乐文化。自1938年德国吞并以来，萨尔茨堡音乐节的管理者第一次有机会(尽管资源有限)维护自己与德国独立的身份。通过利用现有资源，与占领者进行战略合作，唤起怀旧情绪，并提供一个神圣的空间，这些小规模的独奏会是战后萨尔茨堡音乐节的第一个季节及其随后的复兴的组成部分。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

查看原文本刊更多论文

From “Angelegenheit Großdeutschlands” to “Österreichische Abende”: Programming the 1945 Salzburg Festival

ABSTRACT Österreichische Abende, or Austrian Evenings, were a series unique to the 1945 Salzburg Festival. These six solo recitals, five of which featured singers, highlighted Austrian musical culture by recruiting Austrian performers to perform Austrian music in an Austrian setting. For the first time since the Annexation in 1938, Salzburg Festival administrators had the opportunity, albeit with limited resources, to assert an identity separate from Germany. By leveraging available resources, collaborating strategically with occupiers, evoking nostalgia, and providing a sacred space, these small-scale recitals were integral to the first postwar season of the Salzburg Festival and its subsequent revival.

求助全文

通过发布文献求助，成功后即可免费获取论文全文。去求助

来源期刊

JOURNAL OF MUSICOLOGICAL RESEARCH MUSIC-

CiteScore

0.30

自引率

0.00%

发文量

期刊介绍： The Journal of Musicological Research publishes original articles on all aspects of the discipline of music: historical musicology, style and repertory studies, music theory, ethnomusicology, music education, organology, and interdisciplinary studies. Because contemporary music scholarship addresses critical and analytical issues from a multiplicity of viewpoints, the Journal of Musicological Research seeks to present studies from all perspectives, using the full spectrum of methodologies. This variety makes the Journal a place where scholarly approaches can coexist, in all their harmony and occasional discord, and one that is not allied with any particular school or viewpoint.