{"title":"切割Cárdenas:修正1980年代墨西哥的革命家庭","authors":"M. Huska","doi":"10.7560/SLAPC3401","DOIUrl":null,"url":null,"abstract":"Abstract:In 1987 the historical telenovela Senda de gloria (Path of Glory) debuted to the delight of audiences and illustrated a fundamental link between telenovelas and national identity. The series, a coproduction between Televisa, Mexico’s largest media conglomerate, and the Instituto Mexicano del Seguro Social (IMSS), weaves the melodramatic tale of the Álvarez family into the backdrop of the 1910 Mexican Revolution, specifically from the 1917 constitution to Lázaro Cárdenas’s nationalization of oil in 1938. This article employs the discourse of the “revolutionary family” to understand both the plot and the production of Senda de gloria, as well as the political context of 1980s Mexico. Furthermore, the article explores IMSS as part of the revolutionary family and its involvement in the production of relatively costly telenovelas. Senda demonstrates how Mexican heroes and villains were recast in the neoliberal turn after 1988, and in this political and economic transition, the very history that the PRI employed to legitimize its power instead discredited the party and underscored its illegitimacy.","PeriodicalId":53864,"journal":{"name":"STUDIES IN LATIN AMERICAN POPULAR CULTURE","volume":null,"pages":null},"PeriodicalIF":0.1000,"publicationDate":"2016-05-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Cutting Cárdenas: Revising the Revolutionary Family in 1980s Mexico\",\"authors\":\"M. Huska\",\"doi\":\"10.7560/SLAPC3401\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:In 1987 the historical telenovela Senda de gloria (Path of Glory) debuted to the delight of audiences and illustrated a fundamental link between telenovelas and national identity. The series, a coproduction between Televisa, Mexico’s largest media conglomerate, and the Instituto Mexicano del Seguro Social (IMSS), weaves the melodramatic tale of the Álvarez family into the backdrop of the 1910 Mexican Revolution, specifically from the 1917 constitution to Lázaro Cárdenas’s nationalization of oil in 1938. This article employs the discourse of the “revolutionary family” to understand both the plot and the production of Senda de gloria, as well as the political context of 1980s Mexico. Furthermore, the article explores IMSS as part of the revolutionary family and its involvement in the production of relatively costly telenovelas. Senda demonstrates how Mexican heroes and villains were recast in the neoliberal turn after 1988, and in this political and economic transition, the very history that the PRI employed to legitimize its power instead discredited the party and underscored its illegitimacy.\",\"PeriodicalId\":53864,\"journal\":{\"name\":\"STUDIES IN LATIN AMERICAN POPULAR CULTURE\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2016-05-11\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"STUDIES IN LATIN AMERICAN POPULAR CULTURE\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.7560/SLAPC3401\",\"RegionNum\":4,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"STUDIES IN LATIN AMERICAN POPULAR CULTURE","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.7560/SLAPC3401","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
Cutting Cárdenas: Revising the Revolutionary Family in 1980s Mexico
Abstract:In 1987 the historical telenovela Senda de gloria (Path of Glory) debuted to the delight of audiences and illustrated a fundamental link between telenovelas and national identity. The series, a coproduction between Televisa, Mexico’s largest media conglomerate, and the Instituto Mexicano del Seguro Social (IMSS), weaves the melodramatic tale of the Álvarez family into the backdrop of the 1910 Mexican Revolution, specifically from the 1917 constitution to Lázaro Cárdenas’s nationalization of oil in 1938. This article employs the discourse of the “revolutionary family” to understand both the plot and the production of Senda de gloria, as well as the political context of 1980s Mexico. Furthermore, the article explores IMSS as part of the revolutionary family and its involvement in the production of relatively costly telenovelas. Senda demonstrates how Mexican heroes and villains were recast in the neoliberal turn after 1988, and in this political and economic transition, the very history that the PRI employed to legitimize its power instead discredited the party and underscored its illegitimacy.