牺牲、信仰、混血人身份:格瓦拉“新人”的三观

IF 0.1 4区社会学 0 HUMANITIES, MULTIDISCIPLINARY

STUDIES IN LATIN AMERICAN POPULAR CULTURE Pub Date : 2016-05-11 DOI:10.7560/SLAPC3409

Gregory Stephens

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引用次数: 0

摘要

摘要:本文通过阅读切·格瓦拉的小说、电影《摩托车日记》和史蒂文·索德伯格的电影《切·格瓦拉第一部》(2008)，重新审视了切·格瓦拉的新人概念。虽然我也简要地介绍了切·格瓦拉的《古巴革命战争片段》，并使用理查德·丁多的电影《埃内斯托·切·格瓦拉:玻利维亚日记》(1996)作为框架工具，但我的主要关注点是对新人乌托邦神话的起源进行批判性分析。

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Sacrifice, Faith, Mestizo Identity: Three Views of Che’s “New Man”

Abstract:This article revisits Che Guevara’s concept of the new man through close readings of the book and film Motorcycle Diaries and Steven Soderbergh’s film Che: Part One (2008). Although I also briefly engage Che’s Episodes of the Cuban Revolutionary War and use Richard Dindo’s film Ernesto Che Guevara: The Bolivian Diary (1996) as a framing device, my primary focus is a critical analysis of the origins of the utopian myth of the new man.

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STUDIES IN LATIN AMERICAN POPULAR CULTURE HUMANITIES, MULTIDISCIPLINARY-

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0.10

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0.00%

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