{"title":"Huapango Arribeño:后现代间隙中的墨西哥音乐-诗歌传统(1968-1982)","authors":"A. Chávez","doi":"10.7560/LAMR33202","DOIUrl":null,"url":null,"abstract":"Attending to the complex social circumstances that shape vernacular expressive forms over time entails careful consideration of tradition as an embodied aesthetic practice that is maintained as a situated space of quotidian expression while also actuating a cardinal momentum capable of mapping the most present vicissitudes of everyday life. With this in mind, this article ethnographically renders the transformations and circulations of Mexican huapango arribeño—an under-studied musico-poetic tradition—across an emergent postmodern topography of lived life in Mexico from 1968-1982. By providing historiography, alongside transcriptions and practitioners' accounts, a case is made for huapango arribeño as a creative poesis of telluric ways of self-knowing and place-making amidst the political-economic enclosures and officialized cartographies of governmentality during that time.","PeriodicalId":41979,"journal":{"name":"LATIN AMERICAN MUSIC REVIEW-REVISTA DE MUSICA LATINOAMERICANA","volume":"33 1","pages":"186 - 226"},"PeriodicalIF":0.1000,"publicationDate":"2012-11-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.7560/LAMR33202","citationCount":"3","resultStr":"{\"title\":\"Huapango Arribeño: A Mexican Musico-Poetic Tradition at the Interstices of Postmodernity (1968-1982)\",\"authors\":\"A. Chávez\",\"doi\":\"10.7560/LAMR33202\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Attending to the complex social circumstances that shape vernacular expressive forms over time entails careful consideration of tradition as an embodied aesthetic practice that is maintained as a situated space of quotidian expression while also actuating a cardinal momentum capable of mapping the most present vicissitudes of everyday life. With this in mind, this article ethnographically renders the transformations and circulations of Mexican huapango arribeño—an under-studied musico-poetic tradition—across an emergent postmodern topography of lived life in Mexico from 1968-1982. By providing historiography, alongside transcriptions and practitioners' accounts, a case is made for huapango arribeño as a creative poesis of telluric ways of self-knowing and place-making amidst the political-economic enclosures and officialized cartographies of governmentality during that time.\",\"PeriodicalId\":41979,\"journal\":{\"name\":\"LATIN AMERICAN MUSIC REVIEW-REVISTA DE MUSICA LATINOAMERICANA\",\"volume\":\"33 1\",\"pages\":\"186 - 226\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2012-11-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.7560/LAMR33202\",\"citationCount\":\"3\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"LATIN AMERICAN MUSIC REVIEW-REVISTA DE MUSICA LATINOAMERICANA\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.7560/LAMR33202\",\"RegionNum\":3,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"MUSIC\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"LATIN AMERICAN MUSIC REVIEW-REVISTA DE MUSICA LATINOAMERICANA","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.7560/LAMR33202","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
Huapango Arribeño: A Mexican Musico-Poetic Tradition at the Interstices of Postmodernity (1968-1982)
Attending to the complex social circumstances that shape vernacular expressive forms over time entails careful consideration of tradition as an embodied aesthetic practice that is maintained as a situated space of quotidian expression while also actuating a cardinal momentum capable of mapping the most present vicissitudes of everyday life. With this in mind, this article ethnographically renders the transformations and circulations of Mexican huapango arribeño—an under-studied musico-poetic tradition—across an emergent postmodern topography of lived life in Mexico from 1968-1982. By providing historiography, alongside transcriptions and practitioners' accounts, a case is made for huapango arribeño as a creative poesis of telluric ways of self-knowing and place-making amidst the political-economic enclosures and officialized cartographies of governmentality during that time.