{"title":"卡萨随笔——《三宫》中的自我讽刺","authors":"C. Bronkhorst","doi":"10.7445/59-0-949","DOIUrl":null,"url":null,"abstract":"The modern reader of the Cena Trimalchionis, seeing the episode grouped under the larger title Satyrica, could hardly be blamed for assuming a priori that Petronius had written a satirical work. Yet, in making this assumption, the reader overlooks a question central to the debate over the interpretation of Petronius' work: 'Can the Cena be read as a moralising or satirical work?'","PeriodicalId":40864,"journal":{"name":"Akroterion-Journal for the Classics in South Africa","volume":"59 1","pages":"141-156"},"PeriodicalIF":0.1000,"publicationDate":"2015-02-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"CASA ESSAY - SELF-SATIRE IN THE CENA TRIMALCHIONIS\",\"authors\":\"C. Bronkhorst\",\"doi\":\"10.7445/59-0-949\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The modern reader of the Cena Trimalchionis, seeing the episode grouped under the larger title Satyrica, could hardly be blamed for assuming a priori that Petronius had written a satirical work. Yet, in making this assumption, the reader overlooks a question central to the debate over the interpretation of Petronius' work: 'Can the Cena be read as a moralising or satirical work?'\",\"PeriodicalId\":40864,\"journal\":{\"name\":\"Akroterion-Journal for the Classics in South Africa\",\"volume\":\"59 1\",\"pages\":\"141-156\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2015-02-26\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Akroterion-Journal for the Classics in South Africa\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.7445/59-0-949\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"CLASSICS\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Akroterion-Journal for the Classics in South Africa","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.7445/59-0-949","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"CLASSICS","Score":null,"Total":0}
CASA ESSAY - SELF-SATIRE IN THE CENA TRIMALCHIONIS
The modern reader of the Cena Trimalchionis, seeing the episode grouped under the larger title Satyrica, could hardly be blamed for assuming a priori that Petronius had written a satirical work. Yet, in making this assumption, the reader overlooks a question central to the debate over the interpretation of Petronius' work: 'Can the Cena be read as a moralising or satirical work?'