“电影没有让他为这个日耳曼版本做好准备”:托马斯·品钦的《万有引力的彩虹》中《韩赛尔和格莱特》童话的意义

Q2 Arts and Humanities
Anahita Rouyan
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引用次数: 1

摘要

托马斯·品钦在《万有引力之虹》(1973)中使用的文化文本中,有一个经典的童话故事《韩赛尔与格蕾特》。正是在这里,作者最初发展了坏父母和受害儿童的主题,这是贯穿《万有引力彩虹》的主题。品钦通过将童话置于日耳曼神话的更广阔框架中,以及其中的异教徒神和女神,展示了文化条件的作用,不仅是对个人角色,而且对最初不适合主流文化的叙事。《韩塞尔与格蕾特》的主题也涉及了《万有引力之虹》的一个核心问题,即一个受文化制约的实体,无论是个人还是叙事,自由的可能性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
“The movies had not prepared him for this Teutonic version here”: The Significance of the Hansel and Gretel Fairy Tale in Thomas Pynchon’s Gravity’s Rainbow
Among the cultural texts used by Thomas Pynchon in Gravity’s Rainbow (1973) figures a classic fairy tale of “Hansel and Gretel”. It is here that the author initially develops the theme of bad parents and victimized children, a subject elaborated throughout Gravity’s Rainbow . By placing the fairy tale in a broader framework of Teutonic mythology, with its heathen gods and goddesses, Pynchon demonstrates the workings of cultural conditioning not only on individual characters, but also on narratives initially unfit in the dominant culture. The theme of “Hansel and Gretel” refers to one of the central questions of Gravity’s Rainbow as well, that of the possibility of freedom for a culturally conditioned entity, be it an individual or a narrative.
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来源期刊
Orbit (Cambridge)
Orbit (Cambridge) Arts and Humanities-Literature and Literary Theory
CiteScore
0.20
自引率
0.00%
发文量
8
审稿时长
15 weeks
期刊介绍: Orbit: Writing Around Pynchon is a journal that publishes high quality, rigorously reviewed and innovative scholarly material on the works of Thomas Pynchon, related authors and adjacent fields in 20th- and 21st-century literature. We publish special and general issues in a rolling format, which brings together a traditional journal article style with the latest publishing technology to ensure faster, yet prestigious, publication for authors.
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