但丁在加泰罗尼亚文化中到巴塞罗那卡萨尔（1381-1410/12）

IF 0.2 N/A MEDIEVAL & RENAISSANCE STUDIES

Magnificat Cultura i Literatura Medievals Pub Date : 2016-12-06 DOI:10.7203/MCLM.3.8433

Francesc J. Gómez

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引用次数: 0

摘要

本文在历史背景下分析了但丁对加泰罗尼亚文化影响的最早证据，从国王彼得四世、约翰一世和阿拉贡的马丁统治时期，一直到过渡时期(1410- 1412)和卡斯佩妥协(1412)导致的王朝更迭。法国宫廷、阿维尼翁教皇教廷以及西西里岛王国和阿拉贡王国之间密切的个人、政治和王朝联系构成了本文研究但丁的许多回响的背景——从《喜剧》、从对但丁的评论和所谓的silloge boccaccesca——在阿拉贡总领事府和法院周围发现:特别是在伯纳特·梅奇的《命运之书》(1381)和《洛索姆尼》(约1398)中;安德烈·费弗尔、吉拉伯特·德·普罗西达和梅尔西奥·德·高尔布斯的诗歌;阿拉贡的马丁的一封信(1408年)，以及菲利普·德·马拉的早期预言(1411,1413年)。

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Dante en la cultura catalana a l’entorn del Casal de Barcelona (1381-1410/12)

This article analyzes in a historical context the earliest evidences of Dante’s influence on Catalan culture during the reigns of Kings Peter IV, John I and Martin of Aragon, until the interregnum (1410-12) and the change of dynasty resulting from the Compromise of Caspe (1412). French courts, Avignon papal curia and the close personal, political and dynastic ties between the kingdoms of Sicily and Aragon constitute the background on which this paper studies the many echoes of Dante —from the Commedia, from the commentaries on Dante and from the so-called silloge boccaccesca — to be found around the chancellery and the court of Aragon: specifically, in Bernat Metge’s Llibre de Fortuna e Prudencia (1381) and Lo somni (c. 1398); in Andreu Febrer’s, Gilabert de Proixida’s and Melcior de Gualbes’ poetry; in one letter from Martin of Aragon (1408), and in Felip de Malla’s early predication (1411, 1413).

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来源期刊

Magnificat Cultura i Literatura Medievals MEDIEVAL & RENAISSANCE STUDIES-

CiteScore

0.60

自引率

0.00%

发文量

期刊介绍： Its coverage is threefold: (1) Cultural subjects for the Romance area, in the medieval and post-medieval era (up to 1600). (2) Literature, linguistics and cultural issues in general, concerning the Crown of Aragon and Occitania (and other related areas such as Naples and Navarre). (3) Digital humanities or otherwise methodological studies, provided that they may be of service to the medievalist. This annual publication has been created with the intention of serving as a platform for works that exceed the conventional length of journal articles. Therefore Magnificat CLM will preferably publish long articles, but articles of medium length are not excluded. Magnificat CLM is aimed at an audience of researchers and specialists in medieval studies, especially Romance philology, as well as of specialists in digital humanities. Magnificat CLM consists of a single section of articles, occasionally including a monographic dossier on particular subjects. All articles are indexed. Magnificat CLM published its first volume in 2014.