{"title":"爱情天真和国家爱与政治:政治理论可以从电影上学到什么","authors":"P. Kahn","doi":"10.6094/BEHEMOTH.2011.4.3.660","DOIUrl":null,"url":null,"abstract":"This article illuminates the puzzling gap between political theory and political imagination. Theory is dominated by liberalism and its insistence on interests, reason, rights, individualism, and the social contract. Movies - and the social imaginations of the political they mirror - turn out to be completely different: Instead of interests, we find love, instead of the contract, we find sacrifice, and instead of the individual, we find the family. Turning to film therefore reveals liberal theory to suffer from a failure of the imagination.","PeriodicalId":30203,"journal":{"name":"Behemoth a Journal on Civilisation","volume":"4 1","pages":"57-78"},"PeriodicalIF":0.0000,"publicationDate":"2011-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Liebe, Unschuld und der Staat. Liebe und Politik: Was die politische Theorie vom Kino lernen kann\",\"authors\":\"P. Kahn\",\"doi\":\"10.6094/BEHEMOTH.2011.4.3.660\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article illuminates the puzzling gap between political theory and political imagination. Theory is dominated by liberalism and its insistence on interests, reason, rights, individualism, and the social contract. Movies - and the social imaginations of the political they mirror - turn out to be completely different: Instead of interests, we find love, instead of the contract, we find sacrifice, and instead of the individual, we find the family. Turning to film therefore reveals liberal theory to suffer from a failure of the imagination.\",\"PeriodicalId\":30203,\"journal\":{\"name\":\"Behemoth a Journal on Civilisation\",\"volume\":\"4 1\",\"pages\":\"57-78\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2011-11-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Behemoth a Journal on Civilisation\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.6094/BEHEMOTH.2011.4.3.660\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Behemoth a Journal on Civilisation","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.6094/BEHEMOTH.2011.4.3.660","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Liebe, Unschuld und der Staat. Liebe und Politik: Was die politische Theorie vom Kino lernen kann
This article illuminates the puzzling gap between political theory and political imagination. Theory is dominated by liberalism and its insistence on interests, reason, rights, individualism, and the social contract. Movies - and the social imaginations of the political they mirror - turn out to be completely different: Instead of interests, we find love, instead of the contract, we find sacrifice, and instead of the individual, we find the family. Turning to film therefore reveals liberal theory to suffer from a failure of the imagination.