皮诺曹:格培多的过渡对象

Gabriele Zeloni
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引用次数: 0

摘要

弗洛伊德和他之后的其他人认为,文学是一种无意识的心灵探索形式,可以导致类似于精神分析的发现。从这个角度出发,作者提出了以下假设:匹诺曹是一个活过来的木偶,因此根据温尼科特的说法,从儿童的感知来看,匹诺曹是一个过渡对象。因此,杰佩托只不过是任何儿童与过渡对象相互作用的无意识表征。作者解释了文本分析的结果,以支持这一假设,并反思了皮诺奇的冒险对读者的影响。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Pinocchio: l’oggetto transizionale di Geppetto
The literature has been considered by Freud and others after him, a form of unaware exploration of mind that can leads to discoveries similar to psychoanalysis’s discoveries. From this perspective, the author puts forward the following hypothesis: Pinocchio is a puppet who comes to life and is therefore, from a child's perception, a transitional object according to Winnicott. Consequently Geppetto is nothing more than the involuntary representation of any child interacting with the transitional object.  The author explains the results of the analysis of the text in support of the hypothesis and reflects on the impact of The adventure of Pinocchio on the reader.
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