{"title":"利奥诺拉·卡林顿:玛雅人的魔法世界","authors":"Giulia Ingarao","doi":"10.6092/issn.2036-0967/6641","DOIUrl":null,"url":null,"abstract":"El Mundo Magico de los Mayas is one of the most significant works of Leonora Carrington, who was the only foreign artist invited to decorate one of the rooms of Mexico City new National Museum of Anthropology in 1963. She was commissioned to decorate the room where artefacts coming from contemporary Maya civilization would have been displayed. The result was a multi-layered composition in which classical themes of surrealism coexisted with countless references to the Mayan culture.","PeriodicalId":41245,"journal":{"name":"Confluenze-Rivista di Studi Iberoamericani","volume":"134 1","pages":"23-34"},"PeriodicalIF":0.1000,"publicationDate":"2016-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Leonora Carrington: El Mundo Magico de los Mayas\",\"authors\":\"Giulia Ingarao\",\"doi\":\"10.6092/issn.2036-0967/6641\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"El Mundo Magico de los Mayas is one of the most significant works of Leonora Carrington, who was the only foreign artist invited to decorate one of the rooms of Mexico City new National Museum of Anthropology in 1963. She was commissioned to decorate the room where artefacts coming from contemporary Maya civilization would have been displayed. The result was a multi-layered composition in which classical themes of surrealism coexisted with countless references to the Mayan culture.\",\"PeriodicalId\":41245,\"journal\":{\"name\":\"Confluenze-Rivista di Studi Iberoamericani\",\"volume\":\"134 1\",\"pages\":\"23-34\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2016-12-31\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Confluenze-Rivista di Studi Iberoamericani\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.6092/issn.2036-0967/6641\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Confluenze-Rivista di Studi Iberoamericani","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.6092/issn.2036-0967/6641","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
El Mundo Magico de los Mayas is one of the most significant works of Leonora Carrington, who was the only foreign artist invited to decorate one of the rooms of Mexico City new National Museum of Anthropology in 1963. She was commissioned to decorate the room where artefacts coming from contemporary Maya civilization would have been displayed. The result was a multi-layered composition in which classical themes of surrealism coexisted with countless references to the Mayan culture.